[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:gee-baby-aint-i-good-to-you":3},"title: Gee Baby, Ain't I Good to You\ncomposer: Don Redman\nstyle: Medium slow\nkey: Eb\nform: AB, 16 bars\nrecording: King Cole Trio; Harvest of Hits; Capitol; 1950\nyoutube: PWfV0Uzc2tk\n# analysis: 2026-10-19, rules v2; Eb\n# recording: recorded 1943-11-30, C.P. MacGregor Studios, Hollywood, Nat King Cole with Oscar Moore and Johnny Miller, matrix 124, first issued on 78 (Capitol 169, with I Realize Now, 1944), first LP 10\" H-213 (1950); songbook standard (Redman–Razaf; McKinney's Cotton Pickers, 1929) → the Trio's hit as the reference; no alternate take (Wikipedia, Nat King Cole Capitol discography); video: \"Provided to YouTube by Universal Music Group\", The Classic Singles, the same take\n# book: Med.-Slow Swing (Bluesy); the melody is freely interpreted, in a blues style\n\n# bar | chord\n\nsection: A\n1 | C7      # VI7 in Eb, not resolving: the b13 is in the key\n1 | Ab7     # tritone substitute: resolves down a half step to G7\n2 | G7      # extended dominant: each one falls a fifth into the next: natural tensions\n2 | C7      # extended dominant: each one falls a fifth into the next: natural tensions\n3 | F7      # V7 of V7: the dominant of the dominant: natural tensions\n3 | Bb7     # V7 of Eb: natural tensions\n4 | Eb6     # tonic: the 4th is in the key\n4 | G7      # extended dominant: V7 of C7\n5 | C7      # VI7 in Eb, not resolving: the b13 is in the key\n5 | Ab7     # tritone substitute: resolves down a half step to G7\n6 | G7      # extended dominant: each one falls a fifth into the next: natural tensions\n6 | C7      # extended dominant: each one falls a fifth into the next: natural tensions\n7 | F7      # V7 of V7: the dominant of the dominant: natural tensions\n7 | Bb7     # V7 of Eb: natural tensions\n8 | Eb6     # tonic: the 4th is in the key\n8 | Eb7     # V7\u002FIV in Eb: natural tensions\n\nsection: B\n1 | Ab6     # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n1 | Adim7   # ♯IV°7 to I over its 5th: D7♭9 without its root, the ♯II°7's notes\n2 | Eb6\u002FBb  # tonic: the 4th is in the key\n2 | Eb7     # V7\u002FIV in Eb: natural tensions\n3 | Ab6     # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n3 | Adim7   # passing diminished: D7♭9 without its D, the G7's dominant; not functioning diatonically: the symmetric scale\n4 | Dm7b5   # iiø7 of G7: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | G7      # extended dominant: V7 of C7\n5 | C7      # VI7 in Eb, not resolving: the b13 is in the key\n5 | Ab7     # tritone substitute: resolves down a half step to G7\n6 | G7      # extended dominant: each one falls a fifth into the next: natural tensions\n6 | C7      # extended dominant: each one falls a fifth into the next: natural tensions\n7 | F7      # V7 of V7: the dominant of the dominant: natural tensions\n7 | Bb7     # V7 of Eb: natural tensions\n8 | Eb6     # tonic: the 4th is in the key\n# alt (optional): bar 8, beats 3–4 (Ab7 G7)\n",1793484799844]