[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:garys-notebook":3},"title: Gary's Notebook\ncomposer: Lee Morgan\nstyle: Waltz\nkey: Cm\ntime: 3\u002F4\nform: A, 24 bars\n# analysis: 2026-10-31, rules v2; C minor\n\nsection: Intro1\n1  | Cm7     # tonic minor: Dorian by convention\n2  | Db7#11  # tritone substitute: resolves down a half step to Cm7\n3  | Cm7     # tonic minor: Dorian by convention\n4  | Db7#11  # tritone substitute: resolves down a half step to Cm7\n\nsection: Intro2\ncopy: Intro1\n\nsection: A\n1  | Cm7     # tonic minor: Dorian by convention\n2  | Db7#11  # tritone substitute: resolves down a half step to Cm7\n3  | Cm7     # tonic minor: Dorian by convention\n4  | Db7#11  # tritone substitute: resolves down a half step to Cm7\n5  | Cm7     # tonic minor: Dorian by convention\n6  | Db7#11  # tritone substitute: resolves down a half step to Cm7\n7  | Cm7     # tonic minor: Dorian by convention\n8  | Db7#11  # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n9  | Fm6     # a minor sixth chord: Dorian\n10 | Gb7#11  # tritone substitute: resolves down a half step to Fm6\n11 | Fm6     # a minor sixth chord: Dorian\n12 | Fm6\n13 | Cm7     # tonic minor: Dorian by convention\n14 | Db7#11  # tritone substitute: resolves down a half step to Cm7\n15 | Cm7     # tonic minor: Dorian by convention\n16 | Cm7\n17 | Ebm7    # ii of Ab7: Dorian\n18 | Ab7     # extended ii–V: a side-step, its own key\n19 | Dm7     # ii of the ii–V to C minor\n20 | G7#9    # V7 of C minor: the b13 is in the key, b9, #9 and #11 from the symbol\n21 | Cm7     # tonic minor: Dorian by convention\n22 | Db7#11  # tritone substitute: resolves down a half step to Cm7\n23 | Cm7     # tonic minor: Dorian by convention\n24 | Db7#11  # tritone substitute: resolves down a half step to Cm7\n",1793575888703]