[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:gallops-gallop":3},"title: Gallop's Gallop\ncomposer: Thelonious Monk\nstyle: Medium Swing\nkey: Ab\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Ab\n\nsection: A1\n# area: Ab major (A1 1 – A3 6)\n1 | D7sus   # ♯IV7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n1 | D7      # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n2 | Bbm7    # ii of the ii–V to Ab\n2 | Eb7     # V7 of Ab: natural tensions\n3 | AbMaj7  # tonic: the 4th is in the key\n3 | Bb7     # II7 in Ab, not resolving: natural tensions\n4 | Bbm7    # ii of Eb7: Dorian\n4 | Eb7     # V7\u002FI in Ab: natural tensions\n5 | Bbm7b5  # iiø7 of Ab: Locrian, the key's own notes (its ♭2 is a passing note)\n5 | Eb7     # V7 of Ab: natural tensions\n6 | AbMaj7  # tonic: the 4th is in the key\n6 | Bbm7b5  # iiø7, borrowed from Ab minor: Locrian\n7 | Bm7     # ii of E7: Dorian\n7 | E7      # extended ii–V: a side-step, its own key\n8 | Bbm7    # ii of Eb7: Dorian\n8 | Eb7     # tritone substitute: resolves down a half step to D7sus; the repeat at A2 bar 8 would be Eb Mixolydian\n\nsection: A2\ncopy: A1\n\nsection: B\n1 | Ab7sus  # I7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n2 | Ab7     # V7\u002FIV in Ab: natural tensions\n3 | DbMaj7  # the Ab7 before it makes Db the key of the moment: the 4th is in the key\n4 | DbMaj7\n5 | Bbm7b5  # iiø7 of Eb7: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | Bbm7b5\n7 | Eb7     # extended ii–V: a side-step, its own key: b9 and b13 are in the key\n7 | Eb7\u002FA   # V7 in Ab, not resolving: natural tensions\n8 | Eb7     # V7 in Ab, not resolving: natural tensions\n8 | Eb7\u002FA   # tritone substitute: resolves down a half step to D7sus\n\nsection: A3\n1 | D7sus   # ♯IV7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n1 | D7      # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n2 | Bbm7    # ii of the ii–V to Ab\n2 | Eb7     # V7 of Ab: natural tensions\n3 | AbMaj7  # tonic: the 4th is in the key\n3 | Bb7     # II7 in Ab, not resolving: natural tensions\n4 | Bbm7    # ii of Eb7: Dorian\n4 | Eb7     # V7\u002FI in Ab: natural tensions\n5 | Bbm7b5  # iiø7 of Ab: Locrian, the key's own notes (its ♭2 is a passing note)\n5 | Eb7     # V7 of Ab: natural tensions\n6 | AbMaj7  # tonic: the 4th is in the key\n6 | Cm7b5   # iiiø7 in Ab: Locrian, its own mode (the chord is outside the key)\n# area: E major (A3 7)\n7 | B7      # V7 of E: natural tensions\n7 | EMaj7   # tonic: the 4th is in the key\n# area: Ab major (A3 7–8)\n7 | A7      # tritone substitute: resolves down a half step to AbMaj7\n8 | AbMaj7  # tonic: the 4th is in the key\n",1793575888678]