[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:funkallero":3},"title: Funkallero\ncomposer: Bill Evans\nstyle: Medium up\nkey: Cm\nform: AB, 32 bars\nrecording: Bill Evans; The Interplay Sessions; Milestone; 1982\nyoutube: JYxHWQ_dIP0\n# analysis: 2026-10-19, rules v2; C minor\n# recording: recorded 1962-08-21\u002F22 (Bill Evans Quintet: Zoot Sims, Jim Hall, Ron Carter, Philly Joe Jones), unissued until the 2-LP M-47066; later on Loose Bloose (1983); first issued recording is Stan Getz & Bill Evans (Verve V6-8833, rec. 1964-05-06, rel. 1973\u002F74); a 1956–57 rehearsal tape with Don Elliott came out in 2001 (jazzdisco.org, MusicBrainz, Wikipedia); video: The Complete Riverside Recordings, the same take\n# the A (head) repeats; B is for solos; after solos D.C. al Coda, the head twice, to the coda on its repeat\n# bass plays in two for the heads, in four for solos\n\n# bar | chord\n\nsection: A\nbars: 16\n# area: C minor (A 1–7)\n1  | D7        # V7 of V7: the dominant of the dominant, on the way to C minor: b9 and b13 are in the key\n2  | G7#5      # V7 of C minor, the chain's last link: b9 and b13 are in the key, the #11 from the symbol\n3  | Cm6\u002F9     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n5  | D7        # V7 of V7: the dominant of the dominant, on the way to C minor: b9 and b13 are in the key\n6  | G7#5      # V7 of C minor, the chain's last link: b9 and b13 are in the key, the #11 from the symbol\n7  | Cm6\u002F9     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n# area: Ab major (A 9–11)\n9  | Bbm9      # ii of the ii–V to Ab\n# book: bar 9 is Bbm9 (add 11), Bbm9 (add #11), Bbm9: one chord, its voicing moving\n10 | Eb9       # V7 of Ab: natural tensions\n11 | AbMaj7    # tonic: the 4th is in the key\n# area: C minor (A 11 – B 7)\n11 | Db9       # tritone substitute: resolves down a half step to Cm7\n12 | Cm7       # tonic minor: Dorian by convention\n12 | Fm7       # iv: Dorian, the key’s own notes\n13 | D7        # V7 of V7: the dominant of the dominant, on the way to C minor: b9 and b13 are in the key\n14 | G7#5      # V7 of C minor, the chain's last link: b9 and b13 are in the key, the #11 from the symbol\n15 | Cm6\u002F9     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n@coda 15\n# the coda sign at bar 15 is taken on the repeat\n\nsection: B\n1  | D7        # V7 of V7: the dominant of the dominant, on the way to C minor: b9 and b13 are in the key\n2  | G7#5      # V7 of C minor, the chain's last link: b9 and b13 are in the key, the #11 from the symbol\n3  | Cm6\u002F9     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n# alt (optional): bar 4, beats 3–4 (A7#5)\n5  | D7        # V7 of V7: the dominant of the dominant, on the way to C minor: b9 and b13 are in the key\n6  | G7#5      # V7 of C minor, the chain's last link: b9 and b13 are in the key, the #11 from the symbol\n7  | Cm6\u002F9     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n# alt (optional): bar 8, beats 3–4 (Bm9)\n# area: Ab major (B 9–11)\n9  | Bbm9      # ii of the ii–V to Ab\n10 | Bbm9\n10 | Eb9       # V7 of Ab: natural tensions\n11 | AbMaj7    # tonic: the 4th is in the key\n# area: C minor (B 11 – Coda 1)\n11 | Db9       # tritone substitute: resolves down a half step to Cm7\n12 | Cm7       # tonic minor: Dorian by convention\n12 | Fm7       # iv: Dorian, the key’s own notes\n13 | D7        # V7 of V7: the dominant of the dominant, on the way to C minor: b9 and b13 are in the key\n14 | G7#5      # V7 of C minor, the chain's last link: b9 and b13 are in the key, the #11 from the symbol\n15 | Cm6\u002F9     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n# alt (optional): bar 16, beats 3–4 (A7#5)\n16 | Cm6\u002F9\n@nav 16 D.C. al Coda\n\nsection: Coda\nbars: 4\n1  | Cm6\u002F9     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n1  | Gb13      # tritone substitute: resolves down a half step to F13b9#11\n1  | F13b9#11  # IV7 in C minor, not resolving: b9 and #11 from the symbol\n# Coda: Gb13 on beat 3, F13(#11 b9) on beat 4 held into bar 2 (fermata, rit.)\n@coda 1\n",1793484799809]