[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:from-this-moment-on":3},"title: From This Moment On\ncomposer: Cole Porter\nstyle: Up Tempo Swing\nkey: Fm\nform: AAB, 56 bars\n# analysis: 2026-10-31, rules v2; F minor\n\nsection: A\n# area: F minor (A 1–6)\n1  | Fm6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n2  | Fm6\n3  | Gm7b5   # iiø7 of C7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | C7b9    # V7\u002Fi in F minor: b9 and b13 are in the key\n5  | Db\u002FF    # a non-tonic major chord: Lydian\n6  | Fm7     # tonic minor: Dorian by convention\n# area: Db major (A 7 – B 10)\n7  | Ebm7    # ii of the ii–V to Db\n8  | Ab7     # V7 of Db: natural tensions\n9  | DbMaj7  # tonic: the 4th is in the key\n10 | DbMaj7\n11 | Gb7#11  # back door bVII7 to AbMaj7: the #11 is in the key\n12 | Gb7#11\n13 | AbMaj7  # a non-tonic major chord: Lydian\n14 | AbMaj7\n15 | Gm7b5   # iiø7 of C7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n16 | C7b9    # V7\u002Fiii in Db: b9 and b13 are in the key\n17 | AbMaj7  # a non-tonic major chord: Lydian\n18 | AbMaj7\n19 | Ebm7    # ii of the ii–V to Db\n20 | Ab7     # V7 of Db: natural tensions\n@ending 1 13 16\n@ending 2 17 20\n\nsection: B\n1  | DbMaj7  # tonic: the 4th is in the key\n2  | DbMaj7\n3  | Dbm7    # ii of Gb7: Dorian\n4  | Gb7     # back door bVII7 to Ab6: the #11 is in the key\n5  | Ab6     # a non-tonic major chord: Lydian\n6  | Ab6\n7  | Cm7     # ii of F7: Dorian\n8  | F7      # extended ii–V: a side-step, its own key\n9  | Eb6     # a non-tonic major chord: Lydian\n10 | C7b9    # V7\u002Fiii in Db: b9 and b13 are in the key\n# area: F minor (B 11–20)\n11 | Fm7     # ii of Bb7: Dorian\n12 | Bb7     # V7\u002FbVII in F minor: natural tensions\n13 | Bbm7    # ii of Eb7: Dorian\n14 | Eb7     # V7\u002FbIII in F minor: natural tensions\n15 | Db7     # tritone substitute: resolves down a half step to C7#9\n16 | C7#9    # V7 in F minor, not resolving: the b13 is in the key, b9, #9 and #11 from the symbol\n17 | AbMaj7  # bIII of F minor: the relative major itself\n18 | Db7     # tritone substitute: resolves down a half step to Cm7\n19 | Cm7     # ii of the ii–V to Bb minor\n20 | F7      # V7\u002Fiv in F minor: the b13 is in the key\n# area: Ab major (B 21–24)\n21 | Bbm7    # ii of the ii–V to Ab\n22 | Eb7     # V7 of Ab: natural tensions\n23 | Ab6     # tonic: the 4th is in the key\n24 | Ab6\n@nav 15 D.C. al 3rd Ending\n",1793575888579]