[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:freddie-froo":3},"title: Freddie Froo\ncomposer: Pepper Adams\nstyle: Medium Swing\nkey: Bb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Bb\n\nsection: A1\n1  | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n1  | G7b9    # tritone substitute: resolves down a half step to F#7b9; b9 from the symbol\n2  | F#7b9   # tritone substitute: resolves down a half step to F7b9; b9 from the symbol\n2  | F7b9    # V7 in Bb, not resolving: the b9 from the symbol\n3  | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | G7b9    # V7\u002Fii in Bb: the b13 is in the key, the b9 from the symbol\n4  | Cm7     # ii of F7: Dorian\n4  | F7      # V7\u002FI in Bb: natural tensions\n5  | Fm7     # ii of the ii–V to Eb\n5  | Bb7b9   # V7\u002FIV in Bb: the b9 from the symbol\n6  | EbMaj7  # the Bb7b9 before it makes Eb the key of the moment: the 4th is in the key\n6  | Ebm7    # ii of Ab7b9: Dorian\n7  | Ab7b9   # tritone substitute: resolves down a half step to G7b9; b9 from the symbol\n7  | G7b9    # tritone substitute: resolves down a half step to F#7b9; b9 from the symbol\n8  | F#7b9   # tritone substitute: resolves down a half step to F7b9; b9 from the symbol\n8  | F7b9    # V7 of Bb: the b9 from the symbol\n9  | BbMaj7  # tonic: the 4th is in the key\n9  | Cm7     # ii of F7b9: Dorian\n10 | F7b9    # V7\u002FI in Bb: the b9 from the symbol\n10 | BMaj7   # ♭IImaj7, borrowed from Bb Phrygian: Lydian (its ♯11 is in the key)\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Am7     # ii of D7b9: Dorian\n2  | D7b9    # extended ii–V: a side-step, its own key; b9 from the symbol\n3  | Bbm7    # ii of Eb7: Dorian\n4  | Eb7     # extended ii–V: a side-step, its own key\n5  | Bm7     # ii of E7: Dorian\n6  | E7      # extended ii–V: a side-step, its own key\n7  | Cm7     # ii of F7: Dorian\n7  | F7      # V7\u002FI in Bb: natural tensions\n8  | F#m7    # ii of B7: Dorian\n8  | B7      # extended ii–V: a side-step, its own key\n\nsection: A2\n1  | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n1  | G7b9    # tritone substitute: resolves down a half step to F#7b9; b9 from the symbol\n2  | F#7b9   # tritone substitute: resolves down a half step to F7b9; b9 from the symbol\n2  | F7b9    # V7 in Bb, not resolving: the b9 from the symbol\n3  | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | G7b9    # V7\u002Fii in Bb: the b13 is in the key, the b9 from the symbol\n4  | Cm7     # ii of F7: Dorian\n4  | F7      # V7\u002FI in Bb: natural tensions\n5  | Fm7     # ii of the ii–V to Eb\n5  | Bb7b9   # V7\u002FIV in Bb: the b9 from the symbol\n6  | EbMaj7  # the Bb7b9 before it makes Eb the key of the moment: the 4th is in the key\n6  | Ebm7    # iv7 from the parallel minor: Dorian, its notes\n7  | BbMaj7  # tonic: the 4th is in the key\n7  | Cm7     # ii of F7b9: Dorian\n8  | F7b9    # V7\u002FI in Bb: the b9 from the symbol\n8  | BMaj7   # ♭IImaj7, borrowed from Bb Phrygian: Lydian (its ♯11 is in the key)\n",1793575888487]