[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:freckle-face":3},"title: Freckle Face\ncomposer: Sammy Nestico\nstyle: Medium Swing\nkey: Bb\nform: AABC, 40 bars\n# analysis: 2026-10-31, rules v2; Bb\n\nsection: A\n1  | Cm7     # ii of the ii–V to Bb\n2  | F7      # V7 of Bb: natural tensions\n3  | BbMaj7  # tonic: the 4th is in the key\n4  | G7      # V7\u002Fii in Bb: the b13 is in the key\n5  | Cm7     # ii of the ii–V to Bb\n6  | F7      # V7 of Bb: natural tensions\n7  | BbMaj7  # tonic: the 4th is in the key\n8  | Dbdim7  # passing diminished: C7♭9 without its C, the F9's dominant (Cm7 its ii)\n9  | Cm7     # ii of the ii–V to Bb\n10 | F9      # V7 of Bb: natural tensions\n11 | Bb6     # tonic: the 4th is in the key\n11 | Bbdim7  # auxiliary diminished: it decorates the chord and returns to it\n12 | Bb6     # tonic: the 4th is in the key\n12 | Gbdim7  # passing diminished: F7♭9 without its F, the Bb7's dominant (Fm7 its ii)\n@ending 1 5 8\n@ending 2 9 12\n\nsection: B\n1  | Fm7     # ii of the ii–V to Eb\n2  | Bb7     # V7\u002FIV in Bb: natural tensions\n3  | Eb6     # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n4  | D7      # V7\u002Fvi in Bb: b9 and b13 are in the key\n5  | Gm7     # ii of C9: Dorian\n6  | C9      # V7\u002FV in Bb: natural tensions\n7  | Cm7     # ii: Dorian, the key’s own notes\n8  | Fm7     # a borrowed minor chord: Dorian, its own key\n8  | Dbdim7  # passing diminished: C7♭9 without its C, the F7's dominant (Cm7 its ii)\n\nsection: C\n1  | Cm7     # ii of the ii–V to Bb\n2  | F7      # V7 of Bb: natural tensions\n3  | BbMaj7  # tonic: the 4th is in the key\n4  | Dbdim7  # passing diminished: C7♭9 without its C, the F7b9's dominant (Cm7 its ii)\n5  | Cm7     # ii of F7b9: Dorian\n6  | F7b9    # V7\u002FI in Bb: the b9 from the symbol\n7  | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | G7b9    # V7\u002Fii in Bb: the b13 is in the key, the b9 from the symbol\n9  | Cm7     # ii: Dorian, the key’s own notes\n10 | Ebm7    # iv7 from the parallel minor: Dorian, its notes\n11 | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | Dbdim7  # passing diminished: C7♭9 without its C, the F7's dominant (Cm7 its ii)\n13 | Cm7     # ii of the ii–V to Bb\n14 | F7      # V7 of Bb: natural tensions\n15 | Bb6     # tonic: the 4th is in the key\n15 | Bbdim7  # auxiliary diminished: it decorates the chord and returns to it\n16 | Bb6     # tonic: the 4th is in the key\n16 | Dbdim7  # passing diminished: C7♭9 without its C, the F7's dominant (Cm7 its ii)\n",1793575888463]