[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:four-on-six":3},"title: Four on Six\ncomposer: Wes Montgomery\nstyle: Medium up\nkey: Gm\nform: AB, 32 bars\nrecording: Wes Montgomery; The Incredible Jazz Guitar of Wes Montgomery; Riverside; 1960\nyoutube: MBM7R9IgoTg\n# analysis: 2026-10-19, rules v2; G minor\n# book: composer printed as John L. \"Wes\" Montgomery\n\n# bar | chord\n# Intro bars 1–12: N.C., the bass and piano figure\n# Intro bar 13: the four chords fall on beats 1, 2½, 3½ and 4 (guitar)\n\nsection: Intro\nbars: 16\n1  | N.C.\n# area: G minor (Intro 13 – B 9)\n13 | BbMaj7    # bIII of G minor: the relative major itself\n13 | Gm11      # tonic minor: Dorian by convention\n# book: Gm7 (add 11, omit 5), and the same on G#m7 and Am7\n13 | G#m11     # a borrowed minor chord: Dorian, its own key\n13 | Am11      # ii of the ii–V to G minor\n14 | D7alt     # from the symbol: altered\n# bars 15–16: the bass and piano figure again\n15 | N.C.\n\nsection: A\nbars: 16\n# A: bass line on the Gm7 C7 bars is like the intro's\n1  | Gm7       # ii of C7: Dorian\n1  | C7        # V7\u002FbVII in G minor: natural tensions\n2  | Gm7       # ii of C7: Dorian\n2  | C7        # V7\u002FbVII in G minor: natural tensions\n3  | Gm7       # ii of C7: Dorian\n3  | C7        # V7\u002FbVII in G minor: natural tensions\n4  | Gm7       # tonic minor: Dorian by convention\n# A bars 5–8: stop time\n5  | Cm9       # ii of the ii–V to Bb minor\n5  | F7b9#11   # V7\u002Fbiii in G minor: b9 and #11 from the symbol\n6  | Bbm9      # ii of Eb7b9#11: Dorian\n6  | Eb7b9#11  # extended ii–V: a side-step, its own key; b9 and #11 from the symbol\n7  | Am9       # ii of D7b9#11: Dorian\n7  | D7b9#11   # extended ii–V: a side-step, its own key; b9 and #11 from the symbol\n8  | Ebm9      # ii of Ab9#11: Dorian\n8  | Ab9#11    # tritone substitute: resolves down a half step to Gm7\n# A bars 9–16: time\n9  | Gm7       # ii of C7: Dorian\n9  | C7        # V7\u002FbVII in G minor: natural tensions\n10 | Gm7       # ii of C7: Dorian\n10 | C7        # V7\u002FbVII in G minor: natural tensions\n11 | Gm7       # ii of C7: Dorian\n11 | C7        # V7\u002FbVII in G minor: natural tensions\n12 | Gm7       # tonic minor: Dorian by convention\n13 | BbMaj7    # bIII of G minor: the relative major itself\n13 | Gm11      # tonic minor: Dorian by convention\n13 | G#m11     # a borrowed minor chord: Dorian, its own key\n13 | Am11      # ii of the ii–V to G minor\n# book: Gm7, G#m7, Am7 (add 11, omit 5), on beats 1, 2½, 3½ and 4\n14 | D7alt     # from the symbol: altered\n15 | Gm        # tonic minor: Dorian by convention\n# book: bars 15–16 are a solo break on a G bass, written (Gmi) over it; the Gm row carries the coda sign\n@coda 15\n\nsection: B\n1  | Gm7       # tonic minor: Dorian by convention\n5  | Cm7       # ii of the ii–V to Bb minor\n5  | F7        # V7\u002Fbiii in G minor: natural tensions\n6  | Bbm7      # ii of Eb7: Dorian\n6  | Eb7       # extended ii–V: a side-step, its own key\n7  | Am7       # ii of D7: Dorian\n7  | D7        # extended ii–V: a side-step, its own key\n8  | Ebm7      # ii of Ab7: Dorian\n8  | Ab7       # tritone substitute: resolves down a half step to Gm7\n9  | Gm7       # tonic minor: Dorian by convention\n# area: Bb major (B 12–14)\n12 | Cm7       # ii of the ii–V to Bb\n12 | F7        # V7 of Bb: natural tensions\n13 | BbMaj7    # tonic: the 4th is in the key\n# alt: bar 13, beat 3 (Gm7)\n14 | Eb7       # tritone substitute: resolves down a half step to D7\n# area: G minor (B 14 – Coda 2)\n14 | D7        # V7 of G minor: b9 and b13 are in the key\n15 | Gm7       # tonic minor: Dorian by convention\n16 | A7#5      # V7 of V7: the dominant of the dominant, on the way to G minor: b9 and b13 are in the key, the #11 from the symbol\n16 | D7        # V7 of G minor, the chain's last link: b9 and b13 are in the key\n@nav 16 D.C. al Coda\n\nsection: Coda\n# B (solos) repeats; after solos, D.C. al Coda\n1  | Gm        # tonic minor: Dorian by convention\n# book: Coda bar 1 is N.C. (Gmi), a bass and piano vamp under a guitar solo, repeated till the cue (last time rit.)\n2  | GmMaj7    # from the symbol: minor-major 7th\n# book: on cue, Gmi(Ma7) with a fermata\n@coda 1\n",1793484799790]