[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:four-in-one":3},"title: Four In One\ncomposer: Thelonious Monk\nstyle: Medium Swing\nkey: Eb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n1 | Eb6   # tonic: the 4th is in the key\n2 | G7    # extended dominant: each one falls a fifth into the next: natural tensions\n3 | C7    # extended dominant: each one falls a fifth into the next: natural tensions\n4 | C7\n5 | F7    # V7 of V7: the dominant of the dominant: natural tensions\n6 | Bb7   # V7 of Eb: natural tensions\n7 | Eb6   # tonic: the 4th is in the key\n8 | Eb6\nalt 8 | Fm7   # ii: Dorian, the key’s own notes\nalt 8 | Eb6   # tonic: the 4th is in the key\nalt 8 | Bb7   # V7 of Eb: natural tensions\n\nsection: A2\ncopy: A1\n\nsection: B\n1 | Bbm7  # ii of Eb7: Dorian\n1 | Eb7   # V7\u002FIV in Eb: natural tensions\n2 | Bbm7  # ii of Eb7: Dorian\n2 | Eb7   # V7\u002FIV in Eb: natural tensions\n3 | Bm7   # ii of E7: Dorian\n3 | E7    # tritone substitute: resolves down a half step to Eb7\n4 | Eb7   # I7 in Eb, not resolving: natural tensions\n5 | Cm7   # ii of F7: Dorian\n5 | F7    # tritone substitute: resolves down a half step to E7\n6 | E7    # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n7 | E7\n7 | B7    # ♭VI7 from the parallel minor: Lydian Dominant\n8 | Fm7   # ii of the ii–V to Eb\n8 | Bb7   # V7 of Eb: natural tensions\n\nsection: A3\n1 | Eb6   # tonic: the 4th is in the key\n2 | G7    # extended dominant: each one falls a fifth into the next: natural tensions\n3 | C7    # extended dominant: each one falls a fifth into the next: natural tensions\n4 | C7\n5 | F7    # V7 of V7: the dominant of the dominant: natural tensions\n6 | Bb7   # V7 of Eb: natural tensions\n7 | Eb6   # tonic: the 4th is in the key\n8 | Eb6\nalt 8 | Fm7   # ii: Dorian, the key’s own notes\nalt 8 | Eb6   # tonic: the 4th is in the key\nalt 8 | Bb7   # V7 of Eb: natural tensions\n",1793575888401]