[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:four-brothers":3},"title: Four Brothers\ncomposer: Jimmy Giuffre\nstyle: Medium up\nkey: Ab\nform: AABA, 32 bars\nrecording: Woody Herman and His Orchestra; The Thundering Herds; Columbia; 1965\nyoutube: pnQAQdw1gFg\n# analysis: 2026-10-19, rules v2; Ab\n# recording: recorded 1947-12-27, Los Angeles, the Second Herd with Stan Getz, Zoot Sims, Herbie Steward, Serge Chaloff, arranged by Jimmy Giuffre, HCO3061-1 (the only take), the first recording of it; first issued on 78 (Columbia 38304, with No Time), first LP Columbia C3L 25 per jazzdisco (The Three Herds, Columbia 1955, may have issued it earlier); video: \"Provided to YouTube by Columbia\u002FLegacy\", The Jazz Masters, the same take\n# book: as played by Woody Herman\n\n# bar | chord\n\nsection: A\n# area: Ab major (A 1–10)\n1  | Bb9     # II7 in Ab, not resolving: natural tensions\n2  | Bbm7    # ii of the ii–V to Ab\n2  | Eb7#5   # V7 of Ab: #11 and b13 from the symbol\n3  | AbMaj7  # tonic: the 4th is in the key\n4  | F9      # V7\u002Fii in Ab: the b13 is in the key\n# brass kicks, bar 4 of A and C: (F9)\n5  | Bbm7    # ii: Dorian, the key’s own notes\n6  | Cm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | F7      # V7\u002Fii in Ab: the b13 is in the key\n7  | Bbm7    # ii of the ii–V to Ab\n7  | Eb7     # V7 of Ab: natural tensions\n8  | AbMaj7  # tonic: the 4th is in the key\n8  | F7      # V7\u002Fii in Ab: the b13 is in the key\n@ending 1 7 8\n9  | Bbm7    # ii of the ii–V to Ab\n9  | Eb7     # V7 of Ab: natural tensions\n10 | Ab6     # tonic: the 4th is in the key\n@ending 2 9 10\n\nsection: B\n# area: B major (B 1–2)\n1  | C#m7    # ii of the ii–V to B\n1  | F#7     # V7 of B: natural tensions\n2  | BMaj7   # tonic: the 4th is in the key\n# area: D major (B 3–4)\n3  | Em7     # ii of the ii–V to D\n3  | A7      # V7 of D: natural tensions\n4  | DMaj7   # tonic: the 4th is in the key\n# area: C major (B 5–8)\n5  | Dm7     # ii of the ii–V to C\n5  | G7      # V7 of C: natural tensions\n6  | CMaj7   # tonic: the 4th is in the key\n6  | C#dim7  # vii°7 of Dm7: A7♭9 without its root\n7  | Dm7     # ii of the ii–V to C minor\n7  | G7      # V7 of C: natural tensions\n8  | Cm7     # ii of F7: Dorian\n8  | F7      # extended dominant: V7 of Bb9\n\nsection: C\nkey: Ab\nbars: 10\n# area: Ab major (C 1–8)\n1  | Bb9     # II7 in Ab, not resolving: natural tensions\n2  | Bbm7    # ii of the ii–V to Ab\n2  | Eb7#5   # V7 of Ab: #11 and b13 from the symbol\n3  | AbMaj7  # tonic: the 4th is in the key\n4  | F9      # V7\u002Fii in Ab: the b13 is in the key\n5  | Bbm7    # ii: Dorian, the key’s own notes\n6  | Cm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | F7      # V7\u002Fii in Ab: the b13 is in the key\n7  | Bbm7    # ii of the ii–V to Ab\n7  | Eb7     # V7 of Ab: natural tensions\n8  | Ab6     # tonic: the 4th is in the key\n",1793484799784]