[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:forever-sonny":3},"title: Forever Sonny\ncomposer: Jimmy Heath\nstyle: Bossa Nova\nkey: Bb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Bb\n\nsection: A1\n1  | Gm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Em7b5   # #ivø7 in Bb: Locrian, its own mode (the chord is outside the key)\n2  | Eb7     # tritone substitute: resolves down a half step to Dm7\n3  | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | Gm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Cm7     # ii of F7#5: Dorian\n4  | F7#5    # extended dominant: V7 of Bb7; #11 and b13 from the symbol\n5  | Bb7     # extended dominant: V7 of Eb7\n6  | Eb7     # extended dominant: V7 of Ab7\n6  | Ab7     # ♭VII7 from the parallel minor: Lydian Dominant\n7  | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | Gm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Cm7     # ii: Dorian, the key’s own notes\n8  | D7#9    # III7 in Bb, not resolving: the b13 is in the key, b9, #9 and #11 from the symbol\n9  | Cm7     # ii of the ii–V to Bb\n9  | F7      # V7 of Bb: natural tensions\n10 | BbMaj7  # tonic: the 4th is in the key\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | D7#9    # extended dominant: each one falls a fifth into the next: b9, #9 and #11 from the symbol\n2  | D7#9\n3  | G7      # extended dominant: each one falls a fifth into the next: natural tensions\n4  | G7\n5  | C7#9    # V7 of V7: the dominant of the dominant: b9, #9 and #11 from the symbol\n6  | C7#9\n7  | F7      # V7 in Bb, not resolving: natural tensions\n8  | F7\n8  | D7#9    # V7\u002Fvi in Bb: the b13 is in the key, b9, #9 and #11 from the symbol\n\nsection: A2\n1  | Gm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Em7b5   # #ivø7 in Bb: Locrian, its own mode (the chord is outside the key)\n2  | Eb7     # tritone substitute: resolves down a half step to Dm7\n3  | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | Gm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Cm7     # ii of F7#5: Dorian\n4  | F7#5    # extended dominant: V7 of Bb7; #11 and b13 from the symbol\n5  | Bb7     # extended dominant: V7 of Eb7\n6  | Eb7     # extended dominant: V7 of Ab7\n6  | Ab7     # ♭VII7 from the parallel minor: Lydian Dominant\n7  | Cm7     # ii of the ii–V to Bb\n7  | F7      # V7 of Bb: natural tensions\n8  | BbMaj7  # tonic: the 4th is in the key\n8  | D7#9    # V7\u002Fvi in Bb: the b13 is in the key, b9, #9 and #11 from the symbol\n",1793575888352]