[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:for-you-for-me-for-evermore":3},"title: For You, For Me, For Evermore\ncomposer: George Gershwin\nstyle: Slow Swing\nkey: Eb\nform: AB, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A\n1  | EbMaj7  # tonic: the 4th is in the key\n2  | F7      # II7 in Eb, not resolving: natural tensions\n3  | Fm7     # ii of Bb7: Dorian\n3  | Bb7     # V7\u002FI in Eb: natural tensions\n4  | Fm7     # ii of the ii–V to Eb\n4  | Bb7     # V7 of Eb: natural tensions\n5  | EbMaj7  # tonic: the 4th is in the key\n6  | F7      # II7 in Eb, not resolving: natural tensions\n7  | Fm7     # ii of Bb7: Dorian\n7  | Bb7     # V7\u002FI in Eb: natural tensions\n8  | Fm7     # ii of Bb7: Dorian\n8  | Bb7     # V7\u002FI in Eb: natural tensions\n9  | Bbm7    # ii of Eb7: Dorian\n10 | Eb7     # V7\u002FIV in Eb: natural tensions\n11 | Bbm7    # ii of the ii–V to Ab\n11 | Eb7     # V7\u002FIV in Eb: natural tensions\n12 | Ab6     # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n13 | Cm7     # ii of F7: Dorian\n14 | F7      # V7\u002FV in Eb: natural tensions\n15 | B7      # tritone substitute: resolves down a half step to Bb7#5\n16 | Bb7#5   # V7 in Eb, not resolving: #11 and b13 from the symbol\n16 | Bb7     # V7 of Eb: natural tensions\n\nsection: B\n1  | EbMaj7  # tonic: the 4th is in the key\n2  | F7      # II7 in Eb, not resolving: natural tensions\n3  | Fm7     # ii of Bb7: Dorian\n3  | Bb7     # V7\u002FI in Eb: natural tensions\n4  | Fm7     # ii of Bb7: Dorian\n4  | Bb7     # V7\u002FI in Eb: natural tensions\n5  | Bbm7    # ii of the ii–V to Ab\n6  | Eb7     # V7\u002FIV in Eb: natural tensions\n7  | Ab6     # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n8  | Db7     # back door bVII7 to EbMaj7: the #11 is in the key\n9  | EbMaj7  # tonic: the 4th is in the key\n9  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n9  | C7      # V7\u002Fii in Eb: the b13 is in the key\n10 | Fm7     # ii of the ii–V to Eb\n10 | Bb7     # V7 of Eb: natural tensions\n11 | EbMaj7  # tonic: the 4th is in the key\n11 | Cm7     # ii of F7: Dorian\n12 | F7      # V7\u002FV in Eb: natural tensions\n13 | Fm7     # ii: Dorian, the key’s own notes\n14 | Eb6\u002FBb  # tonic: the 4th is in the key\n14 | Bb7     # V7 of Eb: natural tensions\n15 | Eb6     # tonic: the 4th is in the key\n16 | F7      # V7 of V7: the dominant of the dominant: natural tensions\n16 | Bb7     # V7 of Eb: natural tensions\n",1793575888323]