[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:for-sentimental-reasons":3},"title: For Sentimental Reasons\ncomposer: William Best\nstyle: Slow Swing\nkey: F\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n1  | FMaj7   # tonic: the 4th is in the key\n1  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Gm7     # ii of the ii–V to F\n2  | C7      # V7 of F: natural tensions\n3  | FMaj7   # tonic: the 4th is in the key\n3  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Gm7     # ii of the ii–V to F\n4  | C7      # V7 of F: natural tensions\n5  | F6      # tonic: the 4th is in the key\n5  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Gm7     # ii of C7: Dorian\n6  | C7      # V7\u002FI in F: natural tensions\n7  | A7      # extended dominant: each one falls a fifth into the next: natural tensions\n7  | D7      # extended dominant: each one falls a fifth into the next: natural tensions\n8  | G7      # V7 of V7: the dominant of the dominant: natural tensions\n8  | C7      # V7 of F: natural tensions\n9  | F6      # tonic: the 4th is in the key\n9  | Bbm6    # a minor sixth chord: Dorian\n10 | F6      # tonic: the 4th is in the key\n10 | F7      # V7\u002FIV in F: natural tensions\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n1  | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n1  | E7      # V7\u002Fiii in F: b9 and b13 are in the key\n2  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | D7      # V7\u002Fii in F: the b13 is in the key\n3  | Gm7     # ii of the ii–V to F\n3  | C7      # V7 of F: natural tensions\n4  | FMaj7   # tonic: the 4th is in the key\n5  | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n5  | A7b9    # V7\u002Fvi in F: b9 and b13 are in the key\n6  | Dm7     # ii of G7: Dorian\n7  | G7      # V7\u002FV in F: natural tensions\n8  | Gm7     # ii of the ii–V to F\n8  | C7      # V7 of F: natural tensions\n\nsection: A2\n1  | FMaj7   # tonic: the 4th is in the key\n1  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Gm7     # ii of the ii–V to F\n2  | C7      # V7 of F: natural tensions\n3  | FMaj7   # tonic: the 4th is in the key\n3  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Gm7     # ii of the ii–V to F\n4  | C7      # V7 of F: natural tensions\n5  | F6      # tonic: the 4th is in the key\n5  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Gm7     # ii of the ii–V to F\n6  | C7      # V7 of F: natural tensions\n7  | F6      # tonic: the 4th is in the key\n7  | D7      # V7\u002Fii in F: the b13 is in the key\n8  | Gm7     # ii of the ii–V to F\n8  | C7      # V7 of F: natural tensions\n",1793575888312]