[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:for-all-we-know":3},"title: For All We Know\ncomposer: Fred Coots\nstyle: Ballad\nkey: Eb\nform: AB, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A\n1  | Eb6     # tonic: the 4th is in the key\n2  | F7      # II7 in Eb, not resolving: natural tensions\n3  | Fm7     # ii of the ii–V to Eb\n4  | Fm7\n4  | Bb7     # V7 of Eb: natural tensions\n5  | EbMaj7  # tonic: the 4th is in the key\n5  | AbMaj7  # IV: the #4 is the key’s 7th\n6  | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | C7b13   # V7\u002Fii in Eb: the b13 is in the key\n7  | Fm7     # ii: Dorian, the key’s own notes\n8  | Abm7    # ii of Db7: Dorian\n8  | Db7     # back door bVII7 to EbMaj7: the #11 is in the key\n9  | EbMaj7  # tonic: the 4th is in the key\n10 | Gbdim7  # passing diminished: F7♭9 without its F, the Bb7's dominant (Fm7 its ii)\n11 | Fm7     # ii of Bb7: Dorian\n12 | Bb7     # V7\u002FI in Eb: natural tensions\n13 | Cm7     # ii of F7: Dorian\n14 | F7      # V7\u002FV in Eb: natural tensions\n15 | Fm7     # ii of the ii–V to Eb\n16 | Bb7     # V7 of Eb: natural tensions\n\nsection: B\n1  | Eb6     # tonic: the 4th is in the key\n2  | F7      # II7 in Eb, not resolving: natural tensions\n3  | Fm7     # ii of the ii–V to Eb\n4  | Fm7\n4  | Bb7     # V7 of Eb: natural tensions\n5  | EbMaj7  # tonic: the 4th is in the key\n5  | AbMaj7  # IV: the #4 is the key’s 7th\n6  | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | C7b13   # V7\u002Fii in Eb: the b13 is in the key\n7  | Fm7     # ii: Dorian, the key’s own notes\n8  | Abm7    # ii of Db7: Dorian\n8  | Db7     # back door bVII7 to EbMaj7: the #11 is in the key\n9  | EbMaj7  # tonic: the 4th is in the key\n10 | Am7     # ii of D7: Dorian\n10 | D7      # extended dominant: V7 of G7\n11 | G7      # III7 in Eb, not resolving: b9 and b13 are in the key\n11 | Db7#11  # tritone substitute: resolves down a half step to C7sus\n12 | C7sus   # VI7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n12 | C7      # V7\u002Fii in Eb: the b13 is in the key\n13 | Fm7     # ii: Dorian, the key’s own notes\n13 | B7#11   # tritone substitute: resolves down a half step to Bb7sus\n14 | Bb7sus  # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n14 | Bb7     # V7 of Eb: natural tensions\n15 | Eb6     # tonic: the 4th is in the key\n15 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n16 | Fm7     # ii of the ii–V to Eb\n16 | Bb7     # V7 of Eb: natural tensions\n",1793575888254]