[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:flor-de-lis":3},"title: Flor de Lis\ncomposer: Djavan\nstyle: Bossa Nova\nkey: C\nform: AABB, 58 bars\nrecording: Djavan; A Voz, o Violão, a Música de Djavan; Som Livre; 1976\nyoutube: ivA6ncCdIgM\n# analysis: 2026-10-28, rules v2; C\n# recording: Som Livre 403.6092; the composer's own first recording (rule 1); sources: MusicBrainz; video: DjavanOficial official channel upload, A Voz, o Violão, a Música de Djavan (2026 remaster, 50th-anniversary edition), 3:44\n\nsection: Intro1\n# area: C major (Intro1 1 – A 8)\n1  | CMaj9   # tonic: the 4th is in the key\n2  | CMaj9\n3  | Fm7     # iv7 from the parallel minor: Dorian, its notes\n4  | Fm7\n\nsection: Intro2\ncopy: Intro1\n\nsection: A\n1  | CMaj9   # tonic: the 4th is in the key\n2  | CMaj9\n3  | Bm9     # ii of the ii–V to A minor\n4  | E7#5    # V7\u002Fvi in C: b9 and b13 are in the key, the #11 from the symbol\n5  | Am9     # ii of the ii–V to G minor\n6  | D9      # V7\u002Fv in C: natural tensions\n7  | Gm9     # ii of C9: Dorian\n8  | C9      # V7\u002FIV in C: natural tensions\n# area: Bb major (A 9–20)\n9  | F#m7    # ii of B7b9: Dorian\n10 | B7b9    # tritone substitute: resolves down a half step to BbMaj7; b9 from the symbol\n11 | BbMaj7  # tonic: the 4th is in the key\n12 | A7b9#5  # VII7 in Bb, not resolving: b9 and b13 are in the key, the #11 from the symbol\n13 | F#m7    # ii of the ii–V to E minor\n14 | B7b9    # V7\u002F#iv in Bb: b9, #11 and b13 are in the key\n15 | Em9     # ii of A7b9#5: Dorian\n16 | A7b9#5  # extended dominant: V7 of D9; b9, #11 and b13 from the symbol\n17 | D9      # extended dominant: V7 of G9\n18 | G9      # VI7 in Bb, not resolving: the b13 is in the key\n19 | Fm7     # a borrowed minor chord: Dorian, its own key\n20 | CMaj9   # a non-tonic major chord: Lydian\n# area: C major (A 21 – Coda2 4)\n21 | E7b9    # V7\u002Fvi in C: b9 and b13 are in the key\n22 | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n23 | Abdim7  # passing diminished: G7♭9 without its G, the C9's dominant (Gm7 its ii)\n24 | Gm7     # ii of the ii–V to F\n25 | C9      # V7\u002FIV in C: natural tensions\n@ending 1 18\n@ending 2 19 25\n\nsection: B\n1  | FMaj9   # the C9 before it makes F the key of the moment: the 4th is in the key\n2  | Bb9     # ♭VII7 from the parallel minor: Lydian Dominant\n3  | Em9     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | A9      # extended dominant: V7 of D9\n5  | D9      # extended dominant: V7 of G9sus\n6  | G9sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n7  | C9sus   # I7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n8  | C9      # I7 in C, not resolving: natural tensions\n9  | CMaj9   # tonic: the 4th is in the key\n10 | G7b9#5  # V7 of C: b9, #11 and b13 from the symbol\n@nav 10 D.C. al Coda\n@coda 10\n@ending 1 7 8\n@ending 2 9 10\n\nsection: Coda1\n1  | CMaj9   # tonic: the 4th is in the key\n2  | CMaj9\n3  | Fm7     # iv7 from the parallel minor: Dorian, its notes\n4  | Fm7\n@coda 1\n\nsection: Coda2\ncopy: Coda1\n",1793484799666]