[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:fine-and-dandy":3},"title: Fine And Dandy\ncomposer: Kay Swift\nstyle: Medium Up Swing\nkey: F\nform: AB, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A\n1  | FMaj7   # tonic: the 4th is in the key\n2  | Abdim7  # passing diminished: G7♭9 without its G, the C7's dominant (Gm7 its ii)\n3  | Gm7     # ii of the ii–V to F\n4  | C7      # V7 of F: natural tensions\n5  | FMaj7   # tonic: the 4th is in the key\n6  | Abdim7  # passing diminished: G7♭9 without its G, the C7's dominant (Gm7 its ii)\n7  | Gm7     # ii of C7: Dorian\n8  | C7      # extended dominant: V7 of F7\n9  | F7      # extended dominant: V7 of Bb7\n10 | F7\n11 | Bb7     # extended dominant: V7 of Eb7\n12 | Bb7\n13 | Eb7     # extended dominant: V7 of Ab7\n14 | Eb7\n15 | Ab7     # ♭III7 from the parallel minor: Lydian Dominant\n16 | C7      # V7 of F: natural tensions\n\nsection: B\n1  | FMaj7   # tonic: the 4th is in the key\n2  | Abdim7  # passing diminished: G7♭9 without its G, the C7's dominant (Gm7 its ii)\n3  | Gm7     # ii of the ii–V to F\n4  | C7      # V7 of F: natural tensions\n5  | FMaj7   # tonic: the 4th is in the key\n6  | Abdim7  # passing diminished: G7♭9 without its G, the C7's dominant (Gm7 its ii)\n7  | Gm7     # ii of C7: Dorian\n8  | C7      # V7\u002FI in F: natural tensions\n9  | Cm7     # ii of the ii–V to Bb\n10 | F7      # V7\u002FIV in F: natural tensions\n11 | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n12 | Eb7     # ♭VII7 from the parallel minor: Lydian Dominant\n13 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n13 | D7      # V7\u002Fii in F: the b13 is in the key\n14 | Gm7     # ii of the ii–V to F\n14 | C7      # V7 of F: natural tensions\n15 | F6      # tonic: the 4th is in the key\n16 | Gm7     # ii of the ii–V to F\n16 | C7      # V7 of F: natural tensions\n",1793575887930]