[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:feels-so-good":3},"title: Feels So Good\ncomposer: Chuck Mangione\nstyle: Funk\nkey: F\nform: A, 27 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A\n1  | F       # tonic: the 4th is in the key\n1  | C\u002FE     # V without its 7th: Mixolydian, the key’s own notes\n2  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | Gm7     # ii of C7: Dorian\n4  | C7      # V7\u002FI in F: natural tensions\n4  | C7\u002FBb   # V7 in F, not resolving: natural tensions\n5  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | Gm7     # ii: Dorian, the key’s own notes\n8  | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | A7#9    # V7\u002Fvi in F: the b13 is in the key, b9, #9 and #11 from the symbol\n9  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n10 | EbMaj9  # ♭VIImaj7, borrowed from F minor: Lydian (its ♯11 is in the key)\n11 | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n12 | EbMaj9  # ♭VIImaj7, borrowed from F minor: Lydian (its ♯11 is in the key)\n13 | F       # tonic: the 4th is in the key\n14 | EbMaj9  # ♭VIImaj7, borrowed from F minor: Lydian (its ♯11 is in the key)\n15 | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n15 | Dm\u002FC    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n16 | BbMaj7  # IV: the #4 is the key’s 7th\n16 | F\u002FA     # tonic: the 4th is in the key\n17 | Gm7     # ii: Dorian, the key’s own notes\n18 | Gm      # ii: Dorian, the key’s own notes\n18 | Am      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n18 | Bb      # IV: the #4 is the key’s 7th\n18 | Bdim    # passing diminished: G7♭9 without its G, the C7sus's dominant; not functioning diatonically: the symmetric scale\n19 | C7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n20 | F       # tonic: the 4th is in the key\n21 | D7      # V7\u002Fii in F: the b13 is in the key\n22 | Gm7     # ii of the ii–V to F\n23 | C7      # V7 of F: natural tensions\n24 | F       # tonic: the 4th is in the key\n25 | D7      # V7\u002Fii in F: the b13 is in the key\n26 | Gm7     # ii of the ii–V to F\n27 | C9sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n",1793575887908]