[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:fee-fi-fo-fum":3},"title: Fee-Fi-Fo-Fum\ncomposer: Wayne Shorter\nstyle: Medium Swing\nkey: Bb\nform: ABA, 24 bars\n# analysis: 2026-10-31, rules v2; Bb\n\nsection: A1\n# area: Bb major (A1 1 – A2 5)\n1 | Eb7     # tritone substitute: resolves down a half step to D7#9\n1 | D7#9    # V7\u002Fvi in Bb: the b13 is in the key, b9, #9 and #11 from the symbol\n2 | Gm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | AbMaj7  # ♭VIImaj7, borrowed from Bb minor: Lydian (its ♯11 is in the key)\n3 | BMaj7   # ♭IImaj7, borrowed from Bb Phrygian: Lydian (its ♯11 is in the key)\n3 | D7      # III7 in Bb, not resolving: b9 and b13 are in the key\n4 | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | G7      # extended ii–V: a side-step, its own key\n5 | Eb7     # tritone substitute: resolves down a half step to D7#9\n5 | D7#9    # V7\u002Fvi in Bb: the b13 is in the key, b9, #9 and #11 from the symbol\n6 | Gm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6 | AbMaj7  # ♭VIImaj7, borrowed from Bb minor: Lydian (its ♯11 is in the key)\n7 | C7      # V7 of V7: the dominant of the dominant: natural tensions\n7 | F7      # extended dominant: V7 of Bb7\nalt 7 | Gb7     # tritone substitute: resolves down a half step to F7\nalt 7 | F7      # extended dominant: V7 of Bb7\n8 | Bb7     # extended dominant: V7 of Eb7\n\nsection: B\n1 | Eb7     # IV7 in Bb, not resolving: the #11 is in the key\n2 | Eb7\n3 | Bb7     # extended dominant: V7 of Eb7\n4 | Bb7\n5 | Eb7     # IV7 in Bb, not resolving: the #11 is in the key\n6 | Eb7\n7 | Bbm7    # ii of Eb7: Dorian\n7 | Eb7     # extended ii–V: a side-step, its own key\n8 | Am7     # ii of D7: Dorian\n8 | D7      # extended ii–V: a side-step, its own key\n\nsection: A2\n1 | Eb7     # tritone substitute: resolves down a half step to D7#9\n1 | D7#9    # V7\u002Fvi in Bb: the b13 is in the key, b9, #9 and #11 from the symbol\n2 | Gm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | AbMaj7  # ♭VIImaj7, borrowed from Bb minor: Lydian (its ♯11 is in the key)\n3 | BMaj7   # ♭IImaj7, borrowed from Bb Phrygian: Lydian (its ♯11 is in the key)\n3 | D7      # III7 in Bb, not resolving: b9 and b13 are in the key\n4 | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | G7      # extended ii–V: a side-step, its own key\n5 | Eb7     # tritone substitute: resolves down a half step to D7#9\n# area: Db major (A2 5–6)\n5 | D7#9    # tritone substitute: resolves down a half step to DbMaj7; b9 and #9 from the symbol\n6 | DbMaj7  # tonic: the 4th is in the key\n# area: B major (A2 6–8)\n6 | C7      # tritone substitute: resolves down a half step to BMaj7\n7 | BMaj7   # tonic: the 4th is in the key\n8 | BMaj7\n",1793575887884]