[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:fato-consumado":3},"title: Fato Consumado\ncomposer: Djavan\nstyle: Samba\nkey: G\nform: AAABB, 32 bars\nrecording: Djavan; A Voz, o Violão, a Música de Djavan; Som Livre; 1976\nyoutube: IQVePWKNIgs\n# analysis: 2026-10-28, rules v2; G\n# recording: Som Livre 403.6092; the composer's own first recording (rule 1); sources: MusicBrainz; video: Som Livre \"Provided to YouTube\" upload, A Voz, o Violão, a Música de Djavan (2026 remaster, 50th-anniversary edition), 2:30\n\nsection: Intro1\n# area: E major (Intro1 1–4)\n1 | GMaj7   # ♭IIImaj7, borrowed from E minor: Lydian (its ♯11 is in the key); the repeat at Intro2 bar 1 would be G Ionian\n2 | E7#9    # extended dominant: V7 of A9; b9, #9 and #11 from the symbol\n3 | A9      # extended dominant: V7 of D9\n4 | D9      # V7\u002FbIII in E: the #11 is in the key; the repeat at Intro2 bar 4 would be D Mixolydian\n\nsection: Intro2\ncopy: Intro1\n\nsection: A1\n1 | GMaj7   # tonic: the 4th is in the key\n2 | E7#9    # extended dominant: each one falls a fifth into the next: b9, #9 and #11 from the symbol\n3 | A9      # V7 of V7: the dominant of the dominant: natural tensions\n4 | D9      # V7 of G: natural tensions\n@segno 1\n\nsection: A2\ncopy: A1\n\nsection: A3\n1 | GMaj7   # tonic: the 4th is in the key\n2 | E7#9    # extended dominant: each one falls a fifth into the next: b9, #9 and #11 from the symbol\n3 | A9      # V7 of V7: the dominant of the dominant: natural tensions\n4 | D9      # V7 of G: natural tensions\n5 | GMaj7   # tonic: the 4th is in the key\n6 | E7#9    # V7\u002Fii in G: the b13 is in the key, b9, #9 and #11 from the symbol\n7 | Am9     # ii: Dorian, the key’s own notes\n# area: E major (A3 8 – B 8)\n8 | F#m7b5  # iiø7 of E: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | B9      # V7 of E: natural tensions\n\nsection: B\n1 | EMaj7   # tonic: the 4th is in the key\n2 | F#m7    # ii: Dorian, the key’s own notes\n3 | G#m7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | C#7#9   # V7\u002Fii in E: the b13 is in the key, b9, #9 and #11 from the symbol\n5 | F#m7    # ii of B9: Dorian\n6 | B9      # V7\u002FI in E: natural tensions\n7 | G#m7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7 | C#7#9   # V7\u002Fii in E: the b13 is in the key, b9, #9 and #11 from the symbol\n8 | F#m7    # ii of B9: Dorian\n8 | B9      # V7\u002FI in E: natural tensions\n# area: G major (B 9 – Coda1 7)\n9 | Am7     # ii of the ii–V to G\n9 | D7      # V7 of G: natural tensions\n@coda 8\n@nav 9 D.S. al Coda\n@ending 1 8\n@ending 2 9\n\nsection: Coda1\n1 | EMaj7   # a non-tonic major chord: Lydian; the repeat at Coda2 bar 1 would be E Ionian\n2 | F#m7    # a borrowed minor chord: Dorian, its own key\n3 | G#m7    # ii of the ii–V to F# minor; the repeat at Coda2 bar 3 would be G# Phrygian\n4 | C#7#9   # V7\u002Fvii in G: the b13 is in the key, b9, #9 and #11 from the symbol\n5 | F#m7    # ii of B9: Dorian\n6 | B9      # extended ii–V: a side-step, its own key\n7 | G#m7    # ii of the ii–V to F# minor; the repeat at Coda2 bar 7 would be G# Phrygian\n7 | C#7#9   # V7\u002Fvii in G: the b13 is in the key, b9, #9 and #11 from the symbol\n# area: E major (Coda1 8 – Coda2 8)\n8 | F#m7    # ii of the ii–V to E\n8 | B9      # V7 of E: natural tensions\n@coda 1\n\nsection: Coda2\ncopy: Coda1\n",1793484799575]