[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:fascinating-rhythm":3},"title: Fascinating Rhythm\ncomposer: George Gershwin\nstyle: Medium Up Swing\nkey: F\nform: ABAC, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: Verse\noutside: yes\n# area: F major (Verse 1–4)\n1  | Fm      # a borrowed minor chord: Dorian, its own key\n1  | Fm\u002FEb   # a borrowed minor chord: Dorian, its own key\n2  | Dm7b5   # viø7 in F: Locrian, its own mode (the chord is outside the key)\n2  | Db7     # ♭VI7 from the parallel minor: Lydian Dominant\n3  | Fm\u002FC    # a borrowed minor chord: Dorian, its own key\n3  | Bdim7   # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n4  | Bb7     # IV7 in F, not resolving: the #11 is in the key\n4  | Fm\u002FAb   # a borrowed minor chord: Dorian, its own key\n# area: F minor (Verse 4–7)\n4  | C7\u002FG    # V7 of F minor: b9 and b13 are in the key\n5  | Fm      # tonic minor: Dorian by convention\n5  | Fm\u002FEb   # tonic minor: Dorian by convention\n6  | Dm7b5   # viø7 in F minor: Locrian, its own mode (the chord is outside the key)\n6  | Db7     # bVI7 in F minor, not resolving: the #11 is in the key\n7  | Fm\u002FC    # tonic minor: Dorian by convention\n# area: F major (Verse 7–12)\n7  | C7b13   # V7 of F: the b13 from the symbol\n8  | F6      # tonic: the 4th is in the key\n9  | Cm      # a borrowed minor chord: Dorian, its own key\n9  | Cm\u002FBb   # a borrowed minor chord: Dorian, its own key\n10 | Am7b5   # iiiø7 in F: Locrian, its own mode (the chord is outside the key)\n10 | Ab7     # ♭III7 from the parallel minor: Lydian Dominant\n11 | Cm\u002FG    # a borrowed minor chord: Dorian, its own key\n11 | F#dim7  # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n12 | F7      # I7 in F, not resolving: natural tensions\n12 | Cm\u002FEb   # a borrowed minor chord: Dorian, its own key\n# area: C minor (Verse 12 – B 1)\n12 | G7\u002FD    # V7 of C minor: b9 and b13 are in the key\n13 | Cm      # tonic minor: Dorian by convention\n13 | Cm\u002FBb   # tonic minor: Dorian by convention\n14 | Am7b5   # viø7 in C minor: Locrian, its own mode (the chord is outside the key)\n14 | Fm\u002FAb   # iv: Dorian, the key’s own notes\n15 | G7      # extended dominant: V7 of C7\n16 | C7      # extended dominant: V7 of F7\n\nsection: A1\n1  | C7\nalt 1  | Gm7     # ii of C7: Dorian\nalt 1  | C7      # extended ii–V: a side-step, its own key\n2  | C7\nalt 2  | Gm7     # ii of C7: Dorian\nalt 2  | C7      # extended ii–V: a side-step, its own key\n3  | C7\nalt 3  | Gm7     # ii of C7: Dorian\nalt 3  | C7      # extended ii–V: a side-step, its own key\n4  | C7\nalt 4  | Gm7     # ii of C7: Dorian\nalt 4  | C7      # extended ii–V: a side-step, its own key\n5  | F7      # V7\u002FbVII in C minor: natural tensions\nalt 5  | Cm7     # ii of F7: Dorian\nalt 5  | F7      # V7\u002FbVII in C minor: natural tensions\n6  | F7\nalt 6  | Cm7     # ii of F7: Dorian\nalt 6  | F7      # V7\u002FbVII in C minor: natural tensions\n7  | F7\nalt 7  | Cm7     # ii of F7: Dorian\nalt 7  | F7      # V7\u002FbVII in C minor: natural tensions\n8  | F7\nalt 8  | Cm7     # ii of the ii–V to Bb\nalt 8  | F7      # V7 of Bb: natural tensions\n\nsection: B\n1  | Bb6     # ♭VII of C minor: B♭ major, the notes of C Dorian\n# area: F major (B 2 – C 8)\n2  | Gm7     # ii of the ii–V to F\n2  | C7      # V7 of F: natural tensions\n3  | F6      # tonic: the 4th is in the key\n4  | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | A7b9    # V7\u002Fvi in F: b9 and b13 are in the key\n5  | Dm7     # ii of G7: Dorian\n6  | G7      # V7\u002FV in F: natural tensions\n7  | Gm7     # ii of C7: Dorian\n8  | C7      # extended dominant: V7 of F7\n\nsection: A2\ncopy: A1\n\nsection: C\n1  | Bb6     # the F7 before it makes Bb the key of the moment: the 4th is in the key\n2  | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | A7b9    # V7\u002Fvi in F: b9 and b13 are in the key\n3  | Dm7     # ii of G7: Dorian\n4  | G7      # V7\u002FV in F: natural tensions\n5  | Gm7     # ii of the ii–V to F\nalt 5  | Gm7     # ii of C7: Dorian\nalt 5  | C7      # V7\u002FI in F: natural tensions\n6  | C7      # V7 of F: natural tensions\nalt 6  | Gm7     # ii of the ii–V to F\nalt 6  | C7      # V7 of F: natural tensions\n7  | F6      # tonic: the 4th is in the key\n8  | F6\n",1793575887834]