[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:farmers-market":3},"title: Farmer's Market\ncomposer: Art Farmer\nstyle: Medium up\nkey: F\nform: AB, 24 bars\nrecording: Art Farmer; Farmer's Market; New Jazz; 1958\nyoutube: lqY3QFY7v-g\n# analysis: 2026-10-19, rules v2; F\n# recording: recorded 1956-11-23, Van Gelder Studio, Hackensack, Art Farmer Quintet with Hank Mobley, Kenny Drew, Addison Farmer, Elvin Jones, Prestige\u002FNew Jazz PRLP 8203; the composer's first recording under his own name; first recorded on Wardell Gray's Los Angeles All Stars session, 1952-01-21, Farmer on trumpet (Prestige 78, later the LP Wardell Gray Memorial, Volume Two) (jazzdisco, Wikipedia, MusicBrainz); video: \"Provided to YouTube by Universal Music Group\", Farmer's Market (New Jazz, 1958), the same take\n# the book: \"Med.-Up Swing\"\n# the intro (optional, N.C.) is a melodic figure with no chords\n# solos on F blues; after solos, D.S. al Fine (final lyric)\n\n# bar | chord\n\nsection: A\n@segno 1\n1  | F6      # tonic: the 4th is in the key\n2  | Gm7     # ii of the ii–V to F\n2  | C7      # V7 of F: natural tensions\n3  | F6      # tonic: the 4th is in the key\n4  | Cm7     # ii of the ii–V to Bb\n4  | F7      # V7\u002FIV in F: natural tensions\n5  | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n6  | Bbm7    # ii of Eb7: Dorian\n6  | Eb7     # extended ii–V: a side-step, its own key\n7  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | D7b9    # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n9  | Gm7     # ii of the ii–V to F\n10 | C7b9    # V7 of F: the b9 from the symbol\n11 | F6      # tonic: the 4th is in the key\n11 | AbMaj7  # ♭IIImaj7, borrowed from F minor: Lydian (its ♯11 is in the key)\n12 | DbMaj7  # ♭VImaj7, borrowed from F minor: Lydian (its ♯11 is in the key)\n12 | Gb7     # tritone substitute: resolves down a half step to F6\n\nsection: B\n1  | F6      # tonic: the 4th is in the key\n2  | Gm7     # ii of the ii–V to F\n2  | C7      # V7 of F: natural tensions\n3  | F6      # tonic: the 4th is in the key\n4  | Cm7     # ii of the ii–V to Bb\n4  | F7      # V7\u002FIV in F: natural tensions\n5  | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n6  | Bbm7    # ii of Eb7: Dorian\n6  | Eb7     # extended ii–V: a side-step, its own key\n7  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | D7#5    # V7\u002Fii in F: the b13 is in the key, the #11 from the symbol\n9  | Gm7     # ii: Dorian, the key’s own notes\n9  | Db7     # tritone substitute: resolves down a half step to C7#5\n10 | C7#5    # V7 of F: #11 and b13 from the symbol\n11 | F6      # tonic: the 4th is in the key\n# bar 12: solo break on F6\n12 | F6\n@nav 12 Fine\n",1793484799569]