[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:fantasy-in-d":3},"title: Fantasy in D\ncomposer: Cedar Walton\nstyle: Medium Up Swing\nkey: D\nform: AABBAAB, 80 bars\naka: Ugetsu\n# analysis: 2026-10-31, rules v2; D\n\nsection: Intro\n# area: D major (Intro 1 – A1 11)\n1  | DMaj9\u002FA  # tonic: the 4th is in the key\n2  | Em7\u002FA    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n3  | DMaj9\u002FA  # tonic: the 4th is in the key\n4  | Em7\u002FA    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n5  | DMaj9\u002FA  # tonic: the 4th is in the key\n6  | Em7\u002FA    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n7  | DMaj9\u002FA  # tonic: the 4th is in the key\n8  | Em7\u002FA    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n9  | DMaj9\u002FA  # tonic: the 4th is in the key\n10 | Em7\u002FA    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n11 | DMaj9\u002FA  # tonic: the 4th is in the key\n12 | Em7\u002FA    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n13 | DMaj9\u002FA  # tonic: the 4th is in the key\n14 | Em7\u002FA    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n15 | DMaj9\u002FA  # tonic: the 4th is in the key\n16 | Em7\u002FA    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n\nsection: A1\n1  | DMaj9    # tonic: the 4th is in the key\n2  | CMaj9    # ♭VIImaj7, borrowed from D minor: Lydian (its ♯11 is in the key)\n3  | DMaj9    # tonic: the 4th is in the key\n4  | CMaj9    # ♭VIImaj7, borrowed from D minor: Lydian (its ♯11 is in the key)\n5  | DMaj9    # tonic: the 4th is in the key\n6  | Ab7#11   # tritone substitute: resolves down a half step to GMaj7\n7  | GMaj7    # the Ab7#11 before it makes G the key of the moment: the 4th is in the key\n8  | C#m7b5   # iiø7 of B minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | F#7b9    # V7\u002Fvi in D: b9 and b13 are in the key\n9  | BmMaj7   # from the symbol: minor-major 7th\n10 | CMaj9    # ♭VIImaj7, borrowed from D minor: Lydian (its ♯11 is in the key)\n11 | Bm7      # ii of E7: Dorian\n11 | E7       # V7\u002FV in D: natural tensions\n11 | GMaj7    # IV: the #4 is the key’s 7th\n# area: F major (A1 12)\n12 | Gb7      # tritone substitute: resolves down a half step to FMaj7\n12 | FMaj7    # tonic: the 4th is in the key\n12 | E7       # tritone substitute: resolves down a half step to Eb7\n# area: D major (A1 12 – A2 11)\n12 | Eb7      # tritone substitute: resolves down a half step to DMaj9\n\nsection: A2\ncopy: A1\n\nsection: B1\n1  | DMaj9\u002FA  # tonic: the 4th is in the key\n2  | Em7\u002FA    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n3  | DMaj9\u002FA  # tonic: the 4th is in the key\n4  | Em7\u002FA    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n5  | DMaj9\u002FA  # tonic: the 4th is in the key\n6  | Em7\u002FA    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n7  | DMaj9\u002FA  # tonic: the 4th is in the key\n8  | Em7\u002FA    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n\nsection: B2\ncopy: B1\n\nsection: A3\n1  | DMaj9    # tonic: the 4th is in the key\n2  | CMaj9    # ♭VIImaj7, borrowed from D minor: Lydian (its ♯11 is in the key)\n3  | DMaj9    # tonic: the 4th is in the key\n4  | CMaj9    # ♭VIImaj7, borrowed from D minor: Lydian (its ♯11 is in the key)\n5  | DMaj9    # tonic: the 4th is in the key\n6  | Ab7#11   # tritone substitute: resolves down a half step to GMaj7\n7  | GMaj7    # the Ab7#11 before it makes G the key of the moment: the 4th is in the key\n8  | C#m7b5   # iiø7 of B minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | F#7b9    # V7\u002Fvi in D: b9 and b13 are in the key\n9  | BmMaj7   # from the symbol: minor-major 7th\n10 | CMaj9    # ♭VIImaj7, borrowed from D minor: Lydian (its ♯11 is in the key)\n11 | Bm7      # ii of E7: Dorian\n11 | E7       # V7\u002FV in D: natural tensions\n12 | Bbm7     # ii of Eb7: Dorian\n12 | Eb7      # tritone substitute: resolves down a half step to DMaj9\n\nsection: A4\ncopy: A3\n\nsection: B3\n1  | DMaj9\u002FA  # tonic: the 4th is in the key\n2  | Em7\u002FA    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n3  | DMaj9\u002FA  # tonic: the 4th is in the key\n4  | Em7\u002FA    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n5  | DMaj9\u002FA  # tonic: the 4th is in the key\n6  | Em7\u002FA    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n7  | DMaj9\u002FA  # tonic: the 4th is in the key\n8  | Em7\u002FA    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n9  | DMaj9\u002FA  # tonic: the 4th is in the key\n10 | Em7\u002FA    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n11 | DMaj9\u002FA  # tonic: the 4th is in the key\n12 | Em7\u002FA    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n13 | DMaj9\u002FA  # tonic: the 4th is in the key\n14 | Em7\u002FA    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n15 | DMaj9\u002FA  # tonic: the 4th is in the key\n16 | Em7\u002FA    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n",1793575887809]