[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:ezz-thetic":3},"title: Ezz-Thetic\ncomposer: George Russell\nstyle: Medium Swing\nkey: Eb\nform: AABABCD, 61 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n# area: Eb major (A1 1 – D 4)\n1  | Cm9     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Cm9\n3  | N.C.\n4  | N.C.\n5  | N.C.\n6  | N.C.\n7  | N.C.\n8  | N.C.\n9  | N.C.\n10 | N.C.\n11 | N.C.\n12 | N.C.\n13 | N.C.\n@time 3 2\u002F4\n@time 4 3\u002F4\n\nsection: A2\ntime: 3\u002F4\n1  | Cm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | CmMaj7  # from the symbol: minor-major 7th\n3  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Cm6     # a minor sixth chord: Dorian\n5  | Cm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Cm6     # a minor sixth chord: Dorian\n7  | Cm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Cm\n\nsection: B1\ntime: 3\u002F4\n1  | Fm7     # ii of the ii–V to Eb minor\n2  | Bb7     # V7 of Eb: natural tensions\n3  | Ebm7    # ii of Ab7: Dorian\nalt 3  | Bbm7    # ii of the ii–V to Ab minor\nalt 3  | Eb7     # V7\u002Fiv in Eb: natural tensions\n4  | Ab7     # extended ii–V: a side-step, its own key\nalt 4  | Abm7    # ii of Db7: Dorian\nalt 4  | Db7     # extended ii–V: a side-step, its own key\n5  | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | G7      # V7\u002Fvi in Eb: b9 and b13 are in the key\n7  | Cm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Cm\n\nsection: A3\ncopy: A2\n\nsection: B2\ncopy: B1\n\nsection: C\ntime: 3\u002F4\n1  | Fm7     # ii of the ii–V to Eb\n2  | Bb7     # V7 of Eb: natural tensions\n3  | EbMaj7  # tonic: the 4th is in the key\n4  | EbMaj7\n5  | Fm7     # ii of the ii–V to Eb\n6  | Bb7     # V7 of Eb: natural tensions\n7  | EbMaj7  # tonic: the 4th is in the key\n8  | EbMaj7\n\nsection: D\ntime: 3\u002F4\nbars: 8\n1  | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | C7b5    # V7\u002Fii in Eb: #11 and 13 from the symbol\n3  | Fm7     # ii: Dorian, the key’s own notes\n4  | Fm7\n# area: Db major (D 5 – Verse 4)\n5  | D7#11   # tritone substitute: resolves down a half step to Db\u002FG\nalt 5  | D7#11   # VII7 in Eb, not resolving: 9, #11 and 13 from the symbol\nalt 5  | Am7b5   # iiø7 of D7: Locrian, the key's own notes (its ♭2 is a passing note)\nalt 6  | D7      # tritone substitute: resolves down a half step to Db\u002FG\n7  | Db\u002FG    # tonic: the 4th is in the key\nalt 7  | Db\u002FG    # tonic: the 4th is in the key\nalt 7  | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\nalt 8  | C7      # V7\u002Fiii in Db: b9 and b13 are in the key\n\nsection: Intro\ntime: 3\u002F4\n1  | Cm      # a borrowed minor chord: Dorian, its own key\n2  | CmMaj7  # from the symbol: minor-major 7th\n3  | Cm7     # a borrowed minor chord: Dorian, its own key\n4  | Cm6     # a minor sixth chord: Dorian\n5  | Cm      # a borrowed minor chord: Dorian, its own key\n6  | Cm6     # a minor sixth chord: Dorian\n7  | Cm      # a borrowed minor chord: Dorian, its own key\n8  | Cm\n\nsection: Verse\noutside: yes\ntime: 3\u002F4\n1  | Fm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | Bb7     # V7\u002Fii in Db: the b13 is in the key\n3  | Ebm7    # ii of Ab7: Dorian\n4  | Ab7     # V7\u002FI in Db: natural tensions\n# area: Eb major (Verse 5–8)\n5  | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | G7      # V7\u002Fvi in Eb: b9 and b13 are in the key\n7  | Cm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Cm\n",1793575887699]