[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:everything-i-love":3},"title: Everything I Love\ncomposer: Cole Porter\nstyle: Medium\nkey: Eb\nform: ABCD, 32 bars\nrecording: Bill Evans Trio; How My Heart Sings!; Riverside; 1964\nyoutube: AiwABaOujhU\n# analysis: 2026-10-19, rules v2; Eb\n# recording: recorded 1962-06-05, Sound Makers, New York (Chuck Israels, Paul Motian), RM 473, released 1964; songbook standard → the trio reading, the best-known instrumental jazz version (jazzdisco, Wikipedia); video: \"Provided to YouTube by Universal Music Group\", How My Heart Sings!, the master (not take 2, a later bonus), the same take\n\n# bar | chord | scale\n\nsection: A\n# area: Eb major (A 1 – B 4)\n1 | Eb      # tonic: the 4th is in the key\n2 | A7#11   # tritone substitute: resolves down a half step to AbMaj7\n3 | AbMaj7  # the A7#11 before it makes Ab the key of the moment: the 4th is in the key\n4 | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n5 | Fm7     # ii of the ii–V to Eb\n6 | Bb7     # V7 of Eb: natural tensions\n7 | EbMaj7  # tonic: the 4th is in the key\n8 | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | G7b9    # V7\u002Fvi in Eb: b9 and b13 are in the key\n\nsection: B\n1 | Cm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Bbm7    # ii of the ii–V to Ab\n2 | Eb7     # V7\u002FIV in Eb: natural tensions\n3 | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n4 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | C7      # extended ii–V: a side-step, its own key\n# area: Gb major (B 5–8)\n5 | Abm7    # ii of the ii–V to Gb\n6 | Db7     # V7 of Gb: natural tensions\n7 | GbMaj7  # tonic: the 4th is in the key\n8 | Fm7     # a borrowed minor chord: Dorian, its own key\n# area: Eb major (B 8 – D 8)\n8 | E7      # tritone substitute: resolves down a half step to EbMaj7\n\nsection: C\n1 | EbMaj7  # tonic: the 4th is in the key\n2 | A7#11   # tritone substitute: resolves down a half step to AbMaj7\n3 | AbMaj7  # the A7#11 before it makes Ab the key of the moment: the 4th is in the key\n4 | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n5 | Fm7     # ii of the ii–V to Eb\n6 | Bb7     # V7 of Eb: natural tensions\n7 | EbMaj7  # tonic: the 4th is in the key\n8 | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | G7b9    # V7\u002Fvi in Eb: b9 and b13 are in the key\n\nsection: D\n1 | Cm7     # ii of the ii–V to Bb minor\n1 | F7      # V7\u002Fv in Eb: natural tensions\n2 | Bbm7    # ii of the ii–V to Ab\n2 | Eb7     # V7\u002FIV in Eb: natural tensions\n3 | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n4 | Abm7    # ii of Db7: Dorian\n4 | Db7     # extended ii–V: a side-step, its own key\n5 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | C7      # V7\u002Fii in Eb: the b13 is in the key\n6 | Fm7     # ii of the ii–V to Eb\n6 | Bb7     # V7 of Eb: natural tensions\n7 | EbMaj7  # tonic: the 4th is in the key\n8 | Fm7     # ii: Dorian, the key’s own notes\n8 | E7      # tritone substitute: resolves down a half step to Eb\n",1793484799499]