[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:everything-happens-to-me":3},"title: Everything Happens to Me\ncomposer: Matt Dennis\nstyle: Ballad\nkey: Bb\nform: AABA, 32 bars\nrecording: Charlie Parker; Charlie Parker with Strings; Mercury; 1950\nyoutube: xxwu0-VccHQ\n# analysis: 2026-10-19, rules v2; Bb\n# recording: recorded 1949-11-30, Reeves Sound Studios, NYC, with Jimmy Carroll's orchestra (Mitch Miller, Stan Freeman, Ray Brown, Buddy Rich), master 320-3, first issued on 78 (Mercury 11036, with Just Friends), first LP 1950 (10\", Mercury MGC-101); songbook standard (Sinatra with Tommy Dorsey, 1941, the first hit) → the jazz reading players know; sources: jazzdisco; video: \"Provided to YouTube by Universal Music Group\", Charlie Parker With Strings, the same take\n\n# bar | chord\n\nsection: A\n# area: Bb major (A 1 – B 4)\n1  | Cm9         # ii of F7: Dorian\n1  | F7          # V7\u002FI in Bb: natural tensions\n2  | Dm7         # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | C#dim7      # passing diminished: C7♭9 without its C, the F7's dominant (Cm7 its ii)\n3  | Cm7         # ii of F7: Dorian\n3  | F7          # V7\u002FI in Bb: natural tensions\n# alt: bar 3 beat 4 (Eb7)\n4  | Dm7b5       # iiø7 of G7: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | G7          # V7\u002Fii in Bb: the b13 is in the key\n5  | Bdim7       # passing diminished: G7♭9 without its G, the Cm7b5's dominant; not functioning diatonically: the symmetric scale\n5  | Cm7b5       # iiø7, borrowed from Bb minor: Locrian\n# alt: bar 5 (Cm7 Ab9)\n6  | Dm7         # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | G9          # V7\u002Fii in Bb: the b13 is in the key\n7  | Cm7         # ii of the ii–V to Bb\n7  | F7          # V7 of Bb: natural tensions\n# alt: bar 7 beat 3 (B7)\n8  | BbMaj7      # tonic: the 4th is in the key\n9  | Cm9         # ii of F7: Dorian\n9  | F7          # V7\u002FI in Bb: natural tensions\n# alt: bar 9 (Em7b5 Ebm6)\n10 | Dm7         # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n10 | C#dim7      # passing diminished: C7♭9 without its C, the F7's dominant (Cm7 its ii)\n11 | Cm7         # ii of F7: Dorian\n11 | F7          # V7\u002FI in Bb: natural tensions\n# alt: bar 11 beat 4 (Eb7)\n12 | Dm7b5       # iiø7 of G7: Locrian, the key's own notes (its ♭2 is a passing note)\n12 | G7          # V7\u002Fii in Bb: the b13 is in the key\n13 | Bdim7       # passing diminished: G7♭9 without its G, the Cm7b5's dominant; not functioning diatonically: the symmetric scale\n13 | Cm7b5       # iiø7, borrowed from Bb minor: Locrian\n# alt: bar 13 (Cm7 Ab9)\n14 | Dm7         # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n14 | G9          # V7\u002Fii in Bb: the b13 is in the key\n15 | Cm7         # ii of the ii–V to Bb\n15 | F7          # V7 of Bb: natural tensions\n# alt: bar 15 beat 3 (B7)\n16 | Bb6         # tonic: the 4th is in the key\n\nsection: B\n1  | Fm7(add11)  # ii of the ii–V to Eb\n1  | Bb7#5#9     # V7\u002FIV in Bb: b9, #9, #11 and b13 from the symbol\n2  | EbMaj7      # the Bb7#5#9 before it makes Eb the key of the moment: the 4th is in the key\n# alt: bar 2 beat 3 (Cm7)\n3  | Fm7(add11)  # ii of the ii–V to Eb\n3  | Bb7#5b9     # V7\u002FIV in Bb: b9, #11 and b13 from the symbol\n4  | EbMaj7      # the Bb7#5b9 before it makes Eb the key of the moment: the 4th is in the key\n# area: D major (B 5–6)\n5  | Em7(add11)  # ii of the ii–V to D\n5  | A7#5#9      # V7 of D: b9, #9, #11 and b13 from the symbol\n6  | DMaj7       # tonic: the 4th is in the key\n# alt: bar 6 beat 3 (Bm7)\n# area: Bb major (B 7 – C 8)\n7  | Gm7         # ii of C7: Dorian\n7  | C7          # extended dominant: V7 of F9sus4\n# alt: bar 7 (Gm GmMaj7 Gm7 C7)\n8  | F9sus4      # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n8  | F7          # V7 in Bb, not resolving: natural tensions\n\nsection: C\n1  | Cm9         # ii of F7: Dorian\n1  | F7          # V7\u002FI in Bb: natural tensions\n2  | Dm7         # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | C#dim7      # passing diminished: C7♭9 without its C, the F7's dominant (Cm7 its ii)\n3  | Cm7         # ii of F7: Dorian\n3  | F7          # V7\u002FI in Bb: natural tensions\n# alt: bar 3 beat 4 (Eb7)\n4  | Dm7b5       # iiø7 of G7: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | G7          # V7\u002Fii in Bb: the b13 is in the key\n5  | Bdim7       # passing diminished: G7♭9 without its G, the Cm7b5's dominant; not functioning diatonically: the symmetric scale\n5  | Cm7b5       # iiø7, borrowed from Bb minor: Locrian\n# alt: bar 5 (Cm7 Ab9)\n6  | Dm7         # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | G9          # V7\u002Fii in Bb: the b13 is in the key\n7  | Cm7         # ii of the ii–V to Bb\n7  | F13         # V7 of Bb: natural tensions\n# alt: bar 7 beat 3 (B7#9)\n8  | Bb6         # tonic: the 4th is in the key\n",1793484799490]