[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:everybodys-song-but-my-own":3},"title: Everybody's Song But My Own\ncomposer: Kenny Wheeler\nstyle: Waltz\nkey: Cm\ntime: 3\u002F4\nform: AABACC, 50 bars\n# analysis: 2026-10-31, rules v2; C minor\n\nsection: A1\n# area: C minor (A1 1–9)\n1  | Fm9\u002FBb     # static sus: Mixolydian\n2  | G7b13\u002FB    # V7 of C minor: b9 and b13 are in the key\n3  | Cm11       # tonic minor: Dorian by convention\n4  | EbMaj7\u002FBb  # bIII of C minor: the relative major itself\n5  | Am7b5      # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | D7#9       # V7\u002Fv in C minor: the b13 is in the key, b9, #9 and #11 from the symbol\n7  | Gm11       # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n8  | BMaj7\u002FBb   # a non-tonic major chord: Lydian\n9  | Gm11       # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n9  | BbMaj7\u002FF   # ♭VII of C minor: B♭ major, the notes of C Dorian\n# area: D major (A1 10 – B 8)\n10 | Em7b5      # iiø7 of D: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | A7#9#5     # V7 of D: b9, #9, #11 and b13 from the symbol\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | DMaj9      # tonic: the 4th is in the key\n2  | Em7\u002FA      # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n3  | DMaj9      # tonic: the 4th is in the key\n4  | Em7\u002FA      # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n5  | DMaj9      # tonic: the 4th is in the key\n6  | C#m7b5     # iiø7 of B minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | F#7b9      # V7\u002Fvi in D: b9 and b13 are in the key\n7  | Bm11       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Bm9\u002FA      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: F# major (B 9–11)\n9  | G#m7b5     # iiø7 of F#: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | C#7b9      # V7 of F#: the b9 from the symbol\n11 | F#Maj7#11  # from the symbol: #11\n# area: F major (B 12 – A2 1)\n12 | Gm11\u002FC     # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n13 | FMaj9      # tonic: the 4th is in the key\n14 | F#m11\u002FB    # static sus: Mixolydian\n\nsection: A2\n1  | Fm9\u002FBb     # static sus: Mixolydian\n# area: C minor (A2 2–7)\n2  | G7b13\u002FB    # V7 of C minor: b9 and b13 are in the key\n3  | Cm11       # tonic minor: Dorian by convention\n4  | EbMaj7\u002FBb  # bIII of C minor: the relative major itself\n5  | Am7b5      # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | D7#9       # V7\u002Fv in C minor: the b13 is in the key, b9, #9 and #11 from the symbol\n7  | Gm11       # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n7  | BbMaj7\u002FF   # ♭VII of C minor: B♭ major, the notes of C Dorian\n# area: D minor (A2 8 – Coda 2)\n8  | Em7b5      # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | A7#9#5     # V7 of D minor: the b13 is in the key, b9, #9 and #11 from the symbol\n9  | Dm11       # tonic minor: Dorian by convention\n10 | DbMaj7#11  # from the symbol: #11\n11 | Cm11       # a borrowed minor chord: Dorian, its own key\n12 | F#m9       # ii of B13#11: Dorian\n12 | B13#11     # tritone substitute: resolves down a half step to BbMaj9\n\nsection: C1\n1  | BbMaj9     # a non-tonic major chord: Lydian\n2  | BMaj7\u002FBb   # a non-tonic major chord: Lydian\n3  | BbMaj9     # a non-tonic major chord: Lydian\n4  | BMaj7\u002FBb   # a non-tonic major chord: Lydian\n\nsection: C2\ncopy: C1\n\nsection: Coda\n1  | EMaj7#11   # from the symbol: #11\n2  | Ebm11      # a borrowed minor chord: Dorian, its own key\n@coda 1\n",1793575887583]