[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:este-seu-olhar":3},"title: Este Seu Olhar\ncomposer: Antonio Carlos Jobim\nstyle: Bossa Nova\nkey: E\nform: AA, 32 bars\nrecording: João Gilberto; João Gilberto; Odeon; 1961\nyoutube: -wv8HzuZaiw\n# analysis: 2026-10-28, rules v2; E\n# recording: arranged by Jobim (Odeon MOFB 3202; MusicBrainz dates the LP 1962, Wikipedia and jobim.org 1961); the first release, which made the song known (rule 2); Jobim's own came only on Inédito (1987); sources: Wikipedia, jobim.org, MusicBrainz (MOFB 3202 track list); video: ONErpm \"Provided to YouTube\" upload, album João Gilberto, 2:14, the same take\n\nsection: Intro\n1  | EMaj7     # tonic: the 4th is in the key\n2  | Gdim7     # passing diminished: a rootless dominant ♭9\n3  | F#m7      # ii: Dorian, the key’s own notes\n4  | Fdim7     # vii°7 of F#m7: C#7♭9 without its root\n5  | F#m7      # ii: Dorian, the key’s own notes\n6  | B69       # a non-tonic major chord: Lydian\n7  | EMaj7     # tonic: the 4th is in the key\n8  | B7        # V7 of E: natural tensions\n\nsection: A\n1  | EMaj7     # tonic: the 4th is in the key\n2  | Fdim7     # vii°7 of F#m7: C#7♭9 without its root\n3  | F#m7      # ii: Dorian, the key’s own notes\n4  | Gdim7     # vii°7 of G#m7: D#7♭9 without its root\n5  | G#m7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | G#7#5     # III7 in E, not resolving: b9 and b13 are in the key, the #11 from the symbol\n7  | AMaj7     # IV: the #4 is the key’s 7th\n8  | Am6       # a minor sixth chord: Dorian\n9  | EMaj7\u002FG#  # tonic: the 4th is in the key\n10 | Gdim7     # passing diminished: a rootless dominant ♭9\n11 | F#m7      # ii: Dorian, the key’s own notes\n12 | B\u002FA       # V without its 7th: Mixolydian, the key’s own notes\n13 | G#m7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n14 | C#7b9     # V7\u002Fii in E: the b13 is in the key, the b9 from the symbol\n15 | F#m7      # ii of B7b9: Dorian\n16 | B7b9      # V7\u002FI in E: the b9 from the symbol\n17 | G#m7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n18 | Gdim7     # passing diminished: a rootless dominant ♭9\n19 | F#m7      # ii: Dorian, the key’s own notes\n20 | Fdim7     # passing diminished: C#7♭9 without its C#, the F#13's dominant; not functioning diatonically: the symmetric scale\n21 | F#13      # II7 in E, not resolving: natural tensions\n21 | F#7       # II7 in E, not resolving: natural tensions\n22 | F#m7      # ii of the ii–V to E\n22 | B7b9      # V7 of E: the b9 from the symbol\n23 | EMaj7     # tonic: the 4th is in the key\n24 | B7#5      # V7 of E: #11 and b13 from the symbol\n@segno 1\n@coda 23\n@nav 24 D.S. al Coda\n@ending 1 9 16\n@ending 2 17 24\n\nsection: Coda\n1  | EMaj7     # tonic: the 4th is in the key\n@coda 1\n",1793484799436]