[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:eronel":3},"title: Eronel\ncomposer: Thelonious Monk\nstyle: Medium Swing\nkey: G\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; G\n\nsection: A1\n# area: G major (A1 1 – B 7)\n1  | GMaj7    # tonic: the 4th is in the key\n1  | GMaj7\u002FA  # tonic: the 4th is in the key\n2  | Bm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | E7b5     # extended ii–V: a side-step, its own key; #11 from the symbol\n3  | BbmMaj7  # from the symbol: minor-major 7th\n4  | Eb7#11   # extended ii–V: a side-step, its own key; #11 from the symbol\n5  | Am7      # ii: Dorian, the key’s own notes\n6  | Cm7      # ii of F7: Dorian\n6  | F7       # extended ii–V: a side-step, its own key\n7  | Am7      # ii: Dorian, the key’s own notes\n7  | Ab7      # tritone substitute: resolves down a half step to G6\n8  | G6       # tonic: the 4th is in the key\n8  | Ab6      # ♭II6, borrowed from G Phrygian: Lydian (its ♯11 is in the key)\n9  | Am7      # ii: Dorian, the key’s own notes\n9  | Ab7      # tritone substitute: resolves down a half step to GMaj7\n10 | GMaj7    # tonic: the 4th is in the key\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Dm7      # ii of G7#11: Dorian\n1  | G7#11    # V7\u002FIV in G: the #11 from the symbol\n2  | Dm7      # a borrowed minor chord: Dorian, its own key\n2  | Db9      # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n3  | G7       # extended dominant: V7 of C7\n4  | C7       # IV7 in G, not resolving: the #11 is in the key\n5  | Cm7      # ii of F7: Dorian\n6  | F7       # extended ii–V: a side-step, its own key\n7  | Bm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n# area: Eb major (B 7–8)\n7  | Bb7      # V7 of Eb: natural tensions\n8  | EbMaj7   # tonic: the 4th is in the key\n# area: G major (B 8 – A2 8)\n8  | Ab7#11   # tritone substitute: resolves down a half step to GMaj7\n\nsection: A2\n1  | GMaj7    # tonic: the 4th is in the key\n1  | GMaj7\u002FA  # tonic: the 4th is in the key\n2  | Bm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | E7b5     # extended ii–V: a side-step, its own key; #11 from the symbol\n3  | BbmMaj7  # from the symbol: minor-major 7th\n4  | Eb7#11   # extended ii–V: a side-step, its own key; #11 from the symbol\n5  | Am7      # ii: Dorian, the key’s own notes\n6  | Cm7      # ii of F7: Dorian\n6  | F7       # extended ii–V: a side-step, its own key\n7  | Am7      # ii: Dorian, the key’s own notes\n7  | Ab7      # tritone substitute: resolves down a half step to GMaj7\n8  | GMaj7    # tonic: the 4th is in the key\n",1793575887467]