[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:endangered-species":3},"title: Endangered Species\ncomposer: Wayne Shorter, Joseph Vitarelli\nstyle: Medium funk\n# the book: \"Medium Funk\", quarter = 110\nkey: D\nform: ABCD, 64 bars\nrecording: Wayne Shorter; Atlantis; Columbia; 1985\nyoutube: qUDRRCQj0TE\n# analysis: 2026-10-19, rules v2; D\n# recording: recorded and released 1985, the first recording of it; composed with Joseph Vitarelli, who plays keyboards on it (Wikipedia, YouTube Topic credits)\n# the book prints a lead sheet plus bass and keyboard parts; the lead sheet's chords are used (\"some chord names have\n# been simplified (see piano part)\"). Bars the lead sheet leaves tacet (intro, C 33-37, D 53-56) take the keyboard\n# part's chords. Chords printed as anticipations (a 16th\u002F8th before the bar line) stay in the bar where printed.\n# D(add9 omit3) (D, E, A, no third) is written D throughout.\n\n# bar | chord\n# intro from the keyboard part (the lead sheet has 4 bars rest)\n\nsection: Intro\nbars: 8\n# area: D major (Intro 1 – A 1)\n1  | G\u002FA         # IV: the #4 is the key’s 7th\n1  | A\u002FB         # V without its 7th: Mixolydian, the key’s own notes\n2  | FMaj7b5\u002FB   # ♭IIImaj7, borrowed from D minor: Lydian (its ♯11 is in the key)\n2  | F6\u002FC        # ♭III6, borrowed from D minor: Lydian (its ♯11 is in the key)\n3  | FMaj7b5\u002FB   # ♭IIImaj7, borrowed from D minor: Lydian (its ♯11 is in the key)\n3  | F6\u002FC        # ♭III6, borrowed from D minor: Lydian (its ♯11 is in the key)\n4  | B7b9        # VI7 in D, not resolving: the b13 is in the key, the b9 from the symbol\n# book: B7(b9 b5)\n5  | D           # tonic: the 4th is in the key\n\nsection: A\n# book: D(add9 omit3), a one-bar vamp played 4 times\n1  | F#13        # III7 in D, not resolving: the b9 is in the key, the 13 from the symbol\n# area: Eb major (A 1 – B 1)\n1  | E13         # tritone substitute: resolves down a half step to Eb69\n# alt: bar 2 (F#7)\n3  | Eb69        # tonic: the 4th is in the key\n3  | B\u002FC#        # ♭VI, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n# alt: bar 4 (F#7)\n5  | G\u002FF         # a non-tonic major chord: Lydian\n5  | F\u002FA         # a non-tonic major chord: Lydian\n5  | C\u002FD         # a non-tonic major chord: Lydian\n5  | F#Maj7b5    # ♭IIImaj7, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n# book: F#Ma7(b5)sus\n6  | G\u002FF         # a non-tonic major chord: Lydian\n6  | F\u002FA         # a non-tonic major chord: Lydian\n6  | C\u002FD         # a non-tonic major chord: Lydian\n6  | F#Maj7b5    # ♭IIImaj7, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n# book: F#Ma7(b5)sus\n7  | D\u002FE         # a non-tonic major chord: Lydian\n7  | E\u002FF#        # ♭II, borrowed from Eb Phrygian: Lydian (its ♯11 is in the key)\n8  | Eb\u002FG        # tonic: the 4th is in the key\n8  | C\u002FE         # a non-tonic major chord: Lydian\n# book: Eb(add9)\u002FG C(add9)\u002FE\n9  | A(add9)\u002FC#  # a non-tonic major chord: Lydian\n10 | Am\u002FG        # a borrowed minor chord: Dorian, its own key\n10 | Ab\u002FG        # IV: the #4 is the key’s 7th\n# book: Ab(#11 omit3)\u002FG\n10 | F#dim7      # passing diminished: a rootless dominant ♭9\n11 | BMaj9       # ♭VImaj7, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n11 | G\u002FBb        # a non-tonic major chord: Lydian\n12 | Bb\u002FC        # V without its 7th: Mixolydian, the key’s own notes\n12 | Ebm9        # a borrowed minor chord: Dorian, its own key\n12 | F7alt       # from the symbol: altered\n13 | Bm9         # a borrowed minor chord: Dorian, its own key\n14 | BmMaj7      # from the symbol: minor-major 7th\n# book: Bm9(Ma7)\n15 | E(add9)\u002FG#  # ♭II, borrowed from Eb Phrygian: Lydian (its ♯11 is in the key)\n15 | F\u002FG         # a non-tonic major chord: Lydian\n16 | F#m\u002FE       # a borrowed minor chord: Dorian, its own key\n16 | C\u002FD         # a non-tonic major chord: Lydian\n16 | Ab7\u002FD       # IV7 in Eb, not resolving: the #11 is in the key\n@ending 1 7 9\n@ending 2 10 16\n\nsection: B\n1  | C7sus4\u002FD    # static sus: Mixolydian\n@segno 1\n# area: D major (B 1 – C 1)\n1  | A7b9\u002FD      # V7 of D: the b9 from the symbol\n2  | D69         # tonic: the 4th is in the key\n2  | D9sus4      # static sus: Mixolydian\n2  | Ab7\u002FD       # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n3  | F\u002FD         # ♭III, borrowed from D minor: Lydian (its ♯11 is in the key)\n# book: F(add11)\u002FD\n3  | C7\u002FD        # V7 of the F\u002FD before it: the #11 is in the key\n3  | A7b9\u002FD      # V7 of D: the b9 from the symbol\n4  | D69         # tonic: the 4th is in the key\n4  | D9sus4      # static sus: Mixolydian\n4  | Ab7\u002FD       # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n5  | C7sus4\u002FD    # static sus: Mixolydian\n5  | A7b9\u002FD      # V7 of D: the b9 from the symbol\n6  | D69         # tonic: the 4th is in the key\n6  | D9sus4      # static sus: Mixolydian\n6  | Ab7\u002FD       # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n7  | F\u002FD         # ♭III, borrowed from D minor: Lydian (its ♯11 is in the key)\n# book: F(add11)\u002FD\n7  | C7\u002FD        # V7 of the F\u002FD before it: the #11 is in the key\n7  | A7b9\u002FD      # V7 of D: the b9 from the symbol\n8  | D69         # tonic: the 4th is in the key\n8  | E+\u002FG        # from the symbol: augmented\n# book: E+\u002FG (augmented triad; written E7#5\u002FG)\n# bars 9–16 carry a written sample solo\n9  | CMaj9       # ♭VIImaj7, borrowed from D minor: Lydian (its ♯11 is in the key)\n10 | B7#5#9      # VI7 in D, not resolving: the b13 is in the key, b9, #9 and #11 from the symbol\n10 | B7b9        # V7\u002Fii in D: the b13 is in the key, the b9 from the symbol\n11 | Em9         # ii of A13: Dorian\n12 | A13         # V7\u002FI in D: natural tensions\n12 | A13b5       # V7 in D, not resolving: the #11 from the symbol\n13 | Gm9         # a borrowed minor chord: Dorian, its own key\n14 | A7#5#9      # V7 in D, not resolving: b9, #9, #11 and b13 from the symbol\n14 | A7b9        # V7 of D: the b9 from the symbol\n15 | Dm9         # ii of G13: Dorian\n16 | G13         # extended ii–V: a side-step, its own key\n16 | G13b5       # tritone substitute: resolves down a half step to F#13\n\nsection: C\n# C: melody tacet for bars 1–5; chords from the keyboard part\n1  | F#13        # III7 in D, not resolving: the b9 is in the key, the 13 from the symbol\n# area: Eb major (C 1 – D 9)\n1  | E13         # tritone substitute: resolves down a half step to Eb69\n# alt: bar 2 (F#7)\n3  | Eb69        # tonic: the 4th is in the key\n3  | B\u002FC#        # ♭VI, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n# alt: bar 4 (F#7)\n5  | G\u002FF         # a non-tonic major chord: Lydian\n5  | F\u002FA         # a non-tonic major chord: Lydian\n5  | C\u002FD         # a non-tonic major chord: Lydian\n5  | F#Maj7b5    # ♭IIImaj7, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n# book: F#Ma7sus(b5)\n6  | G\u002FF         # a non-tonic major chord: Lydian\n6  | F\u002FA         # a non-tonic major chord: Lydian\n6  | C\u002FD         # a non-tonic major chord: Lydian\n6  | F\u002FF#        # a non-tonic major chord: Lydian\n7  | G69         # a non-tonic major chord: Lydian\n# book (keyboard): G6\u002F9(omit3)\n7  | Eb\u002FB        # tonic: the 4th is in the key\n7  | CMaj7\u002FF     # a non-tonic major chord: Lydian\n7  | E(add9)\u002FG#  # ♭II, borrowed from Eb Phrygian: Lydian (its ♯11 is in the key)\n8  | G69         # a non-tonic major chord: Lydian\n8  | Bb\u002FB        # V without its 7th: Mixolydian, the key’s own notes\n8  | F69         # a non-tonic major chord: Lydian\n8  | E(add9)\u002FG#  # ♭II, borrowed from Eb Phrygian: Lydian (its ♯11 is in the key)\n9  | D\u002FG         # a non-tonic major chord: Lydian\n# bar 9: also Bb\u002FB (after D\u002FG) and F\u002FF# (beat 4) (passing)\n9  | Eb\u002FF        # tonic: the 4th is in the key\n9  | A7#5#9      # a chromatic dominant with nowhere to go: Lydian Dominant, its own key; b9, #9 and b13 from the symbol\n9  | A\u002FD         # a non-tonic major chord: Lydian\n10 | Cm7         # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n10 | Eb7b5       # I7 in Eb, not resolving: the #11 from the symbol\n11 | E\u002FD         # ♭II, borrowed from Eb Phrygian: Lydian (its ♯11 is in the key)\n# bar 11: the 16th-note anticipation E\u002FD (the book repeats it in parentheses); also F# (passing)\n11 | F\u002FD         # a non-tonic major chord: Lydian\n11 | G\u002FC         # a non-tonic major chord: Lydian\n11 | F+\u002FEb       # from the symbol: augmented\n# book: F+\u002FEb (augmented triad; written F7#5\u002FEb)\n12 | D69         # a non-tonic major chord: Lydian\n12 | Bb\u002FF#       # V without its 7th: Mixolydian, the key’s own notes\n12 | C69         # a non-tonic major chord: Lydian\n12 | B(add9)\u002FD#  # ♭VI, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n13 | A\u002FD         # a non-tonic major chord: Lydian\n13 | F\u002FF#        # a non-tonic major chord: Lydian\n13 | G\u002FC         # a non-tonic major chord: Lydian\n13 | EbMaj7\u002FF    # tonic: the 4th is in the key\n14 | C\u002FF         # a non-tonic major chord: Lydian\n14 | Adim7       # vii°7 of Bb\u002FEb: F7♭9 without its root\n14 | Bb\u002FEb       # V without its 7th: Mixolydian, the key’s own notes\n14 | G13b9       # III7 in Eb, not resolving: the b9 is in the key, the 13 from the symbol\n@coda 14\n15 | Am7         # a borrowed minor chord: Dorian, its own key\n15 | F7b9        # II7 in Eb, not resolving: the b9 from the symbol\n15 | EbMaj9      # tonic: the 4th is in the key\n15 | Gb\u002FAb       # ♭III, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n16 | Gb\u002FAb\n\nsection: D\n1  | Bb69        # a non-tonic major chord: Lydian\n1  | Gb\u002FAb       # ♭III, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n# alt: bar 1 beats 1-2 and bar 2 (Db7)\n3  | Bb69        # a non-tonic major chord: Lydian\n3  | Gb\u002FAb       # ♭III, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n# alt: bar 4 (Db7)\n# bars 5–8: melody tacet; chords from the keyboard part\n5  | D\u002FC         # a non-tonic major chord: Lydian\n5  | C\u002FE         # a non-tonic major chord: Lydian\n5  | G\u002FA         # a non-tonic major chord: Lydian\n5  | C#Maj7b5    # ♭VIImaj7, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n# book: C#Ma7sus(b5)\n6  | D\u002FC         # a non-tonic major chord: Lydian\n6  | C\u002FE         # a non-tonic major chord: Lydian\n6  | G\u002FA         # a non-tonic major chord: Lydian\n6  | C#m7b5      # bviiø7 in Eb: Locrian, its own mode (the chord is outside the key)\n7  | G\u002FF         # a non-tonic major chord: Lydian\n7  | F\u002FA         # a non-tonic major chord: Lydian\n7  | C\u002FD         # a non-tonic major chord: Lydian\n7  | F#Maj7b5    # ♭IIImaj7, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n# book: F#Ma7(b5)sus\n8  | G\u002FF         # a non-tonic major chord: Lydian\n8  | F\u002FA         # a non-tonic major chord: Lydian\n8  | C\u002FD         # a non-tonic major chord: Lydian\n8  | F\u002FF#        # a non-tonic major chord: Lydian\n9  | G69         # a non-tonic major chord: Lydian\n9  | Eb\u002FB        # tonic: the 4th is in the key\n9  | Em\u002FF        # a borrowed minor chord: Dorian, its own key\n# area: D major (D 9 – Coda 1)\n9  | Ab9#5       # tritone substitute: resolves down a half step to G69; b13 from the symbol\n10 | G69         # the Ab9#5 before it makes G the key of the moment: the 4th is in the key\n10 | Bb\u002FB        # ♭VI, borrowed from D minor: Lydian (its ♯11 is in the key)\n10 | F69         # ♭III6, borrowed from D minor: Lydian (its ♯11 is in the key)\n10 | Ab9#5       # a chromatic dominant with nowhere to go: Lydian Dominant, its own key; b13 from the symbol\n11 | D\u002FG         # tonic: the 4th is in the key\n# bar 11: D\u002FG is a 16th-note anticipation (the book repeats it in parentheses)\n11 | Bb\u002FB        # ♭VI, borrowed from D minor: Lydian (its ♯11 is in the key)\n11 | Eb\u002FF        # ♭II, borrowed from D Phrygian: Lydian (its ♯11 is in the key)\n11 | Ab13        # tritone substitute: resolves down a half step to G69\n12 | G69         # the Ab13 before it makes G the key of the moment: the 4th is in the key\n12 | Eb\u002FB        # ♭II, borrowed from D Phrygian: Lydian (its ♯11 is in the key)\n12 | EbMaj7#5\u002FF  # from the symbol: #5\n12 | A7alt       # from the symbol: altered\n13 | D69         # tonic: the 4th is in the key\n13 | GbMaj7b5    # a non-tonic major chord: Lydian\n13 | G\u002FC         # IV: the #4 is the key’s 7th\n13 | B(add9)\u002FD#  # a non-tonic major chord: Lydian\n14 | D69         # tonic: the 4th is in the key\n14 | Csus\u002FF#     # static sus: Mixolydian\n14 | C69         # ♭VII6, borrowed from D minor: Lydian (its ♯11 is in the key)\n14 | B(add9)\u002FD#  # a non-tonic major chord: Lydian\n15 | A\u002FD         # V without its 7th: Mixolydian, the key’s own notes\n15 | F\u002FF#        # ♭III, borrowed from D minor: Lydian (its ♯11 is in the key)\n15 | Bb\u002FC        # ♭VI, borrowed from D minor: Lydian (its ♯11 is in the key)\n15 | Eb7#5       # tritone substitute: resolves down a half step to D69; b13 from the symbol\n16 | D69         # tonic: the 4th is in the key\n16 | F\u002FF#        # ♭III, borrowed from D minor: Lydian (its ♯11 is in the key)\n16 | C69         # ♭VII6, borrowed from D minor: Lydian (its ♯11 is in the key)\n16 | EbMaj7\u002FF    # ♭IImaj7, borrowed from D Phrygian: Lydian (its ♯11 is in the key)\n@nav 16 D.S. al Coda\n\nsection: Coda\n1  | Am7         # a borrowed minor chord: Dorian, its own key\n@coda 1\n# area: Bb minor (Coda 1–4)\n1  | F7b9        # V7 of Bb minor: b9 and b13 are in the key\n1  | Bbm7        # tonic minor: Dorian by convention\n1  | Bm9b5       # a borrowed minor chord: Dorian, its own key\n2  | Am7         # a borrowed minor chord: Dorian, its own key\n2  | F7b9        # V7 of Bb minor: b9 and b13 are in the key\n2  | Bbm9        # tonic minor: Dorian by convention\n2  | Db\u002FEb       # bIII of Bb minor: the relative major itself\n3  | C\u002FD         # a non-tonic major chord: Lydian\n3  | D           # a non-tonic major chord: Lydian\n# book: D(add9 omit3)\n4  | D\n# book: D(add9 omit3), repeated: vamp and fade\n",1793484799405]