[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:encontros-e-despedidas":3},"title: Encontros e Despedidas\ncomposer: Milton Nascimento\nstyle: Brazilian\nkey: Gm\ntime: 3\u002F4\nform: AABBCD, 54 bars\nrecording: Milton Nascimento; Encontros e Despedidas; Barclay; 1985\nyoutube: zhgOxxiiBbI\n# analysis: 2026-10-28, rules v2; G minor\n# recording: prod. Mazola, with Hubert Laws (Polydor in the US); the composer's own first released recording (rule 1); first issued by Simone (Amar, 1981); sources: MusicBrainz; video: Universal Music Group \"Provided to YouTube\" upload, Encontros e Despedidas, 3:35\n\nsection: A1\n# area: Bb major (A1 1–4)\n1  | Cm7     # ii of the ii–V to Bb\n2  | F7      # V7 of Bb: natural tensions\n3  | BbMaj7  # tonic: the 4th is in the key\n4  | EbMaj7  # IV: the #4 is the key’s 7th\n# area: G minor (A1 5–8)\n5  | Am7     # ii of the ii–V to G minor\n6  | D7b9    # V7 of G minor: b9 and b13 are in the key\n7  | Gm7     # tonic minor: Dorian by convention\n8  | Gm7\n\nsection: A2\ncopy: A1\n\nsection: B1\n1  | Cm7     # iv: Dorian, the key’s own notes\n2  | Cm7\n3  | Dm11    # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n4  | Dm11\n5  | Ebm7    # a borrowed minor chord: Dorian, its own key\n6  | Ebm7\n7  | Dbm7    # a borrowed minor chord: Dorian, its own key\n8  | Cm7     # iv: Dorian, the key’s own notes\n\nsection: B2\ncopy: B1\n\nsection: C\n1  | Gm7     # tonic minor: Dorian by convention\n2  | Gm7\n3  | Cm7     # iv: Dorian, the key’s own notes\n4  | Cm7\n5  | A\u002FBb    # a non-tonic major chord: Lydian\n6  | EbMaj7  # a non-tonic major chord: Lydian\n7  | Am9     # ii of the ii–V to G minor\n8  | D7alt   # from the symbol: altered\n9  | Gm7     # tonic minor: Dorian by convention\n10 | Gm7\n\nsection: D\n# area: Bb major (D 1–4)\n1  | Cm7     # ii of the ii–V to Bb\n2  | F7      # V7 of Bb: natural tensions\n3  | BbMaj7  # tonic: the 4th is in the key\n4  | EbMaj7  # IV: the #4 is the key’s 7th\n# area: G minor (D 5–12)\n5  | Am9     # ii of the ii–V to G minor\n6  | D7alt   # from the symbol: altered\n7  | Gm7     # tonic minor: Dorian by convention\n8  | Bb7sus  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n9  | EbMaj7  # a non-tonic major chord: Lydian\n10 | Am7     # ii of the ii–V to G minor\n10 | D7b9    # V7 of G minor: b9 and b13 are in the key\n11 | Gm7     # tonic minor: Dorian by convention\n12 | Gm7\n",1793484799395]