[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:enchance":3},"title: Enchance\ncomposer: Joanne Brackeen\nstyle: Medium Swing\nkey: F\ntime: 3\u002F4\nform: AA, 60 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n1  | Fsus       # static sus: Mixolydian\n2  | Fsus\n3  | Gb+\u002FF      # from the symbol: augmented\n4  | Gb+\u002FF\n5  | Bb+        # from the symbol: augmented\n6  | Eb\u002FB       # ♭VII, borrowed from F minor: Lydian (its ♯11 is in the key)\n7  | Cm7b5      # vø7 in F: Locrian, its own mode (the chord is outside the key)\n8  | Cm7b5\n9  | Em7b5      # viiø7 in F: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | Dm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n11 | Bbm7       # iv7 from the parallel minor: Dorian, its notes\n12 | Abm7       # a borrowed minor chord: Dorian, its own key\n13 | Gb\u002FBb      # ♭II, borrowed from F Phrygian: Lydian (its ♯11 is in the key)\n14 | F\u002FA        # tonic: the 4th is in the key\n15 | E\u002FG#       # a non-tonic major chord: Lydian\n16 | Gm7        # ii: Dorian, the key’s own notes\n17 | Em7b5      # viiø7 in F: Locrian, the key's own notes (its ♭2 is a passing note)\n18 | Em7b5\n19 | Am7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n20 | Am7\n21 | Bbm7       # iv7 from the parallel minor: Dorian, its notes\n22 | Abm7       # a borrowed minor chord: Dorian, its own key\n23 | D+         # from the symbol: augmented\n24 | D+\n25 | DbMaj7     # ♭VImaj7, borrowed from F minor: Lydian (its ♯11 is in the key)\n26 | BbMaj7\u002FAb  # IV: the #4 is the key’s 7th\n27 | AMaj7\u002FAb   # a non-tonic major chord: Lydian\n28 | E7         # V7 of the AMaj7\u002FAb before it: b9 and b13 are in the key\n28 | G7         # tritone substitute: resolves down a half step to Gb7\n29 | Gb7        # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n30 | A7         # III7 in F, not resolving: b9 and b13 are in the key\n\nsection: A2\ncopy: A1\n",1793575887393]