[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:emily":3},"title: Emily\ncomposer: Johnny Mandel\nstyle: Waltz\nkey: G\ntime: 3\u002F4\nform: ABAC, 40 bars\n# analysis: 2026-10-31, rules v2; G\n\nsection: A1\n# area: G major (A1 1–7)\n1  | GMaj7   # tonic: the 4th is in the key\n2  | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | Am7     # ii of the ii–V to G\n4  | D7      # V7 of G: natural tensions\n5  | GMaj7   # tonic: the 4th is in the key\n6  | G7      # V7\u002FIV in G: natural tensions\n7  | CMaj7   # the G7 before it makes C the key of the moment: the 4th is in the key\n# area: E major (A1 8 – B 4)\n8  | F7      # tritone substitute: resolves down a half step to EMaj7\n\nsection: B\n1  | EMaj7   # tonic: the 4th is in the key\n2  | C#m7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | F#m7    # ii of the ii–V to E minor\n4  | B7b9    # V7 of E: the b9 from the symbol\n# area: G major (B 5 – C 16)\n5  | Em7     # ii of A7: Dorian\n6  | A7      # V7\u002FV in G: natural tensions\n7  | Am7     # ii of the ii–V to G\n8  | D7#5    # V7 of G: #11 and b13 from the symbol\n\nsection: A2\n1  | GMaj7   # tonic: the 4th is in the key\n2  | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | Am7     # ii of the ii–V to G\n4  | D7      # V7 of G: natural tensions\n5  | GMaj7   # tonic: the 4th is in the key\n6  | G7      # V7\u002FIV in G: natural tensions\n7  | CMaj7   # the G7 before it makes C the key of the moment: the 4th is in the key\n8  | B7      # V7\u002Fvi in G: b9 and b13 are in the key\n\nsection: C\n1  | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | F#7b13  # V7\u002Fiii in G: b9 and b13 are in the key\n3  | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | E7      # V7\u002Fii in G: the b13 is in the key\n5  | Am7     # ii of D7: Dorian\n6  | D7      # V7\u002FI in G: natural tensions\n7  | Bm7b5   # iiø7 of E7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | E7b9    # V7\u002Fii in G: the b13 is in the key, the b9 from the symbol\n9  | C#m7b5  # #ivø7 in G: Locrian, its own mode (the chord is outside the key)\n10 | Cm6     # a minor sixth chord: Dorian\n11 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | E7b9    # V7\u002Fii in G: the b13 is in the key, the b9 from the symbol\n13 | Am7     # ii of the ii–V to G\n14 | D7      # V7 of G: natural tensions\n15 | GMaj7   # tonic: the 4th is in the key\n16 | D7      # V7 of G: natural tensions\n",1793575887382]