[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:embraceable-you":3},"title: Embraceable You\ncomposer: George Gershwin\nstyle: Ballad\nkey: G\nform: ABAC, 32 bars\n# analysis: 2026-10-31, rules v2; G\n\nsection: A1\n# area: G major (A1 1 – B 3)\n1 | GMaj7   # tonic: the 4th is in the key\n2 | Bbdim7  # passing diminished: A7♭9 without its A, the D7's dominant (Am7 its ii)\n3 | Am7     # ii of D7: Dorian\n4 | D7      # V7\u002FI in G: natural tensions\n5 | Am7     # ii: Dorian, the key’s own notes\n6 | Cm6     # a minor sixth chord: Dorian\n7 | GMaj7   # tonic: the 4th is in the key\n8 | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | B7b9    # V7\u002Fvi in G: b9 and b13 are in the key\n\nsection: B\n1 | Em      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n1 | Em\u002FD    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | C#m7b5  # iiø7 of B minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | F#7#5   # V7\u002Fiii in G: b9 and b13 are in the key, the #11 from the symbol\n3 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n# area: D major (B 4–6)\n4 | Em7     # ii of the ii–V to D\n4 | A7      # V7 of D: natural tensions\n5 | DMaj7   # tonic: the 4th is in the key\n5 | Bm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6 | Em7     # ii of A7: Dorian\n6 | A7      # V7\u002FI in D: natural tensions\n# area: G major (B 7 – C 8)\n7 | Am7     # ii of the ii–V to G\n8 | D7      # V7 of G: natural tensions\n\nsection: A2\n1 | GMaj7   # tonic: the 4th is in the key\n2 | Bbdim7  # passing diminished: A7♭9 without its A, the D7's dominant (Am7 its ii)\n3 | Am7     # ii of D7: Dorian\n4 | D7      # V7\u002FI in G: natural tensions\n5 | Am7     # ii: Dorian, the key’s own notes\n6 | Cm6     # a minor sixth chord: Dorian\n7 | GMaj7   # tonic: the 4th is in the key\n8 | Dm7     # ii of the ii–V to C\n8 | G7      # V7\u002FIV in G: natural tensions\n\nsection: C\n1 | CMaj7   # the G7 before it makes C the key of the moment: the 4th is in the key\n2 | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | B7b9    # V7\u002Fvi in G: b9 and b13 are in the key\n3 | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3 | Em7\u002FD   # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | C#m7b5  # #ivø7 in G: Locrian, its own mode (the chord is outside the key)\n4 | Cm6     # a minor sixth chord: Dorian\n5 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | E7      # V7\u002Fii in G: the b13 is in the key\n6 | Am7b5   # iiø7 of G: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | D7b9    # V7 of G: the b9 from the symbol\n7 | GMaj7   # tonic: the 4th is in the key\n8 | Am7     # ii of the ii–V to G\n8 | D7      # V7 of G: natural tensions\n",1793575887370]