[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:elm":3},"title: Elm\ncomposer: Richie Beirach\nstyle: Medium slow\n# the book: \"Med.-Slow Straight-Eighths\", quarter = 110\nkey: Gm\nform: A, 16 bars\nrecording: Richard Beirach; Elm; ECM; 1979\nyoutube: cu6YUA7QxZk\n# analysis: 2026-10-19, rules v2; G minor\n# recording: recorded May 1979 (George Mraz, Jack DeJohnette), ECM 1142, the first recording of it (Wikipedia, MusicBrainz release group)\n\n# bar | chord\n\nsection: Intro\nbars: 8\n# area: G minor (Intro 1 – Coda 2)\n1  | F#dim7\u002FG   # vii°7 of Gm: D7♭9 without its root\n3  | Gm         # tonic minor: Dorian by convention\n4  | Gm\n# the intro repeats: 1st ending bar 4, 2nd ending bar 5\n5  | Gm\n@ending 1 4\n@ending 2 5\n\nsection: A\n# head played twice (A repeats), then solos on A; after solos D.S. al Coda\n1  | F#dim7\u002FG   # vii°7 of Gm: D7♭9 without its root\n@segno 1\n3  | Gm         # tonic minor: Dorian by convention\n5  | F#dim7\u002FG   # vii°7 of Gm: D7♭9 without its root\n7  | Gm         # tonic minor: Dorian by convention\n9  | Ab\u002FC       # a non-tonic major chord: Lydian\n10 | D7\u002FC       # V7 in G minor, not resolving: b9 and b13 are in the key\n11 | BbMaj9#5   # bIII of G minor: the relative major itself\n11 | E7#9       # tritone substitute: resolves down a half step to EbMaj9#11; b9 and #9 from the symbol\n12 | EbMaj9#11  # from the symbol: #11\n@coda 12\n13 | Am7b5      # iiø7 in G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n# book: Am7(add11 b5)\n14 | AbMaj9#11  # from the symbol: #11\n15 | Em11       # a borrowed minor chord: Dorian, its own key\n16 | Em11\n@nav 16 D.S. al Coda\n\nsection: Coda\nbars: 20\n# the coda (to the end) includes the book's letter B, played once, from coda bar 5\n1  | Am7b5      # iiø7 in G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n# book: Am7(add11 b5)\n@coda 1\n2  | AbMaj9#11  # from the symbol: #11\n# area: G major (Coda 3–19)\n3  | G          # tonic: the 4th is in the key\n# key signature changes to G major here\n@key 3 G\n5  | CMaj7\u002FG    # IV: the #4 is the key’s 7th\n6  | F#dim7\u002FG   # vii°7 of G(add9): D7♭9 without its root\n7  | G(add9)    # tonic: the 4th is in the key\n9  | F#dim7\u002FG   # passing diminished: D7♭9 without its D, the Gsus's dominant; not functioning diatonically: the symmetric scale\n11 | Gsus       # static sus: Mixolydian\n# book: Gsus(add9)\n12 | G          # tonic: the 4th is in the key\n13 | FMaj7\u002FC    # ♭VIImaj7, borrowed from G minor: Lydian (its ♯11 is in the key)\n14 | D7\u002FC       # V7 of G: natural tensions\n15 | G\u002FB        # tonic: the 4th is in the key\n15 | B+         # from the symbol: augmented\n# book: B+ (augmented triad; written B7#5)\n16 | EbMaj7\u002FBb  # ♭VImaj7, borrowed from G minor: Lydian (its ♯11 is in the key)\n17 | Am7b5      # iiø7, borrowed from G minor: Locrian\n# book: Am7(add11 b5)\n18 | AbMaj9#11  # from the symbol: #11\n19 | Gsus       # static sus: Mixolydian\n# book: Gsus(add9)\n19 | G(add9)    # tonic: the 4th is in the key\n19 | G69        # tonic: the 4th is in the key\n# book: G(add9 add13), fermata\n",1793484799373]