[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:ela-e-carioca":3},"title: Ela É Carioca\ncomposer: Antonio Carlos Jobim\nstyle: Bossa Nova\nkey: Eb\nform: AA, 32 bars\nrecording: Antonio Carlos Jobim; The Wonderful World of Antonio Carlos Jobim; Warner Bros.; 1965\nyoutube: y6BAy1MewRA\n# analysis: 2026-10-28, rules v2; Eb\n# recording: Jobim (vocal) with Nelson Riddle's orchestra, as \"She's a Carioca\" (issued in Brazil as \"Antonio Carlos Jobim com Nelson Riddle e sua Orquestra\"); the composer's own first recording (rule 1); first recorded by Rosinha de Valença (1963); sources: MusicBrainz; video: Rhino\u002FWarner Records \"Provided to YouTube\" upload, on the compilation Composer, ℗ 1965 Warner, 2:38, the same take\n\nsection: Intro1\n# area: Eb major (Intro1 1 – A 13)\n1  | F7\u002FA      # II7 in Eb, not resolving: natural tensions\n2  | Abm6      # a minor sixth chord: Dorian\n3  | EbMaj7\u002FG  # tonic: the 4th is in the key\n4  | Gbdim7    # passing diminished: a rootless dominant ♭9\n5  | F13       # II7 in Eb, not resolving: natural tensions\n5  | F7b13     # V7 of V7: the dominant of the dominant: the b13 from the symbol\n6  | Bb7b9     # V7 of Eb: the b9 from the symbol\n7  | EbMaj7#5  # from the symbol: #5\n8  | EbMaj7#5\n\nsection: Intro2\ncopy: Intro1\n\nsection: A\n1  | EbMaj9    # tonic: the 4th is in the key\n2  | Cm11      # ii of F13: Dorian\n3  | F13       # V7\u002FV in Eb: natural tensions\n4  | F13\n5  | Fm9       # ii: Dorian, the key’s own notes\n6  | Dbm6      # a minor sixth chord: Dorian\n7  | F7        # V7 of V7: the dominant of the dominant: natural tensions\n8  | Bb7b9     # extended dominant: V7 of Eb9; b9 from the symbol\n9  | Eb9       # back door bVII7 to F\u002FA: natural tensions\n10 | Eb9\n11 | F\u002FA       # a non-tonic major chord: Lydian\n12 | Abm6      # a minor sixth chord: Dorian\n13 | EbMaj9    # tonic: the 4th is in the key\n# area: Db major (A 13–14)\n13 | D7#9      # tritone substitute: resolves down a half step to DbMaj7; b9 and #9 from the symbol\n14 | DbMaj7    # tonic: the 4th is in the key\n# area: B major (A 14–15)\n14 | C7#9      # tritone substitute: resolves down a half step to BMaj7; b9 and #9 from the symbol\n15 | BMaj7     # tonic: the 4th is in the key\n# area: Eb major (A 16–17)\n16 | Bb7#9     # V7 of Eb: b9, #9 and #11 from the symbol\n17 | EbMaj9    # tonic: the 4th is in the key\n# area: Db major (A 17 – Coda1 5)\n17 | D7#9      # tritone substitute: resolves down a half step to DbMaj7; b9 and #9 from the symbol\n18 | DbMaj7    # tonic: the 4th is in the key\n18 | D7        # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n19 | EbMaj7#5  # from the symbol: #5\n20 | EbMaj7#5\n@coda 20\n@ending 1 13 16\n@ending 2 17 20\n\nsection: Coda1\n1  | F7\u002FA      # III7 in Db, not resolving: b9 and b13 are in the key; the repeat at Coda2 bar 1 would be F Mixolydian\n2  | Abm6      # a minor sixth chord: Dorian\n3  | EbMaj7\u002FG  # a non-tonic major chord: Lydian; the repeat at Coda2 bar 3 would be Eb Ionian\n4  | Gbdim7    # passing diminished: a rootless dominant ♭9; not functioning…; the repeat at Coda2 bar 4 would be F# Diatonic Diminished\n5  | F13       # III7 in Db, not resolving: the b9 is in the key, the 13 from the symbol; the repeat at Coda2 bar 5 would be F Mixolydian\n# area: Eb major (Coda1 5 – Coda2 8)\n5  | F7b13     # V7 of V7: the dominant of the dominant: the b13 from the symbol\n6  | Bb7b9     # V7 of Eb: the b9 from the symbol\n7  | EbMaj7#5  # from the symbol: #5\n8  | EbMaj7#5\n@coda 1\n\nsection: Coda2\ncopy: Coda1\n",1793484799352]