[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:edda":3},"title: Edda\nsubtitle: Jazz waltz\ncomposer: Wayne Shorter\nstyle: Waltz\nkey: G\ntime: 3\u002F4\nform: ABCD, 32 bars\nrecording: Lee Morgan; The Rumproller; Blue Note; 1966\nyoutube: e038nE1XJnQ\n# analysis: 2026-10-19, rules v2; G\n# recording: recorded 1965-04-21 (Lee Morgan Quintet, Joe Henderson on tenor), the first recording of it, BLP 4199; Shorter never recorded it himself (jazzdisco.org, Wikipedia)\n\n# bar | chord | scale\n\nsection: A\n1 | G6\u002F9    # tonic: the 4th is in the key\n2 | F6\u002F9    # ♭VII6, borrowed from G minor: Lydian (its ♯11 is in the key)\n3 | G6\u002F9    # tonic: the 4th is in the key\n4 | F6\u002F9    # ♭VII6, borrowed from G minor: Lydian (its ♯11 is in the key)\n5 | G6\u002F9    # tonic: the 4th is in the key\n6 | F6\u002F9    # ♭VII6, borrowed from G minor: Lydian (its ♯11 is in the key)\n7 | G6\u002F9    # tonic: the 4th is in the key\n8 | F6\u002F9    # ♭VII6, borrowed from G minor: Lydian (its ♯11 is in the key)\n\nsection: B\n1 | FMaj7   # ♭VIImaj7, borrowed from G minor: Lydian (its ♯11 is in the key)\n2 | Em      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3 | FMaj7   # ♭VIImaj7, borrowed from G minor: Lydian (its ♯11 is in the key)\n4 | Em      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5 | FMaj7   # ♭VIImaj7, borrowed from G minor: Lydian (its ♯11 is in the key)\n6 | Em      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7 | FMaj7   # ♭VIImaj7, borrowed from G minor: Lydian (its ♯11 is in the key)\n8 | Em      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n\nsection: C\nbars: 8\n1 | EbMaj7  # ♭VImaj7, borrowed from G minor: Lydian (its ♯11 is in the key)\n\nsection: D\n1 | Em7b5   # iiø7 of A7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | A7b9    # extended ii–V: a side-step, its own key: b9 and b13 are in the key\n3 | Em7b5   # iiø7 of A7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | A7b9    # extended ii–V: a side-step, its own key: b9 and b13 are in the key\n5 | Em7b5   # iiø7 of A7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | A7b9    # extended ii–V: a side-step, its own key: b9 and b13 are in the key\n7 | Ebm7    # ii of Ab7: Dorian\n8 | Ab7     # tritone substitute: resolves down a half step to G6\u002F9\n",1793484799332]