[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:easy-to-love":3},"title: Easy To Love\ncomposer: Cole Porter\nstyle: Medium Swing\nkey: G\nform: ABAC, 32 bars\n# analysis: 2026-10-31, rules v2; G\n\nsection: A1\n1 | Am7     # ii: Dorian, the key’s own notes\n2 | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | E7b9    # V7\u002Fii in G: the b13 is in the key, the b9 from the symbol\n3 | Am7     # ii of the ii–V to G\n4 | D7      # V7 of G: natural tensions\n5 | GMaj7   # tonic: the 4th is in the key\n6 | C7      # tritone substitute: resolves down a half step to Bm7\n7 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8 | E7b9    # V7\u002Fii in G: the b13 is in the key, the b9 from the symbol\n\nsection: B\n1 | Am7     # ii of the ii–V to G\n2 | D7      # V7 of G: natural tensions\n3 | GMaj7   # tonic: the 4th is in the key\n3 | C7      # tritone substitute: resolves down a half step to Bm7\n4 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | E7b9    # V7\u002Fii in G: the b13 is in the key, the b9 from the symbol\n5 | Am7     # ii of the ii–V to G\n6 | D7      # V7 of G: natural tensions\n7 | GMaj7   # tonic: the 4th is in the key\n7 | C7      # tritone substitute: resolves down a half step to Bm7\n8 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8 | E7b9    # V7\u002Fii in G: the b13 is in the key, the b9 from the symbol\n\nsection: A2\n1 | Am7     # ii: Dorian, the key’s own notes\n2 | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | E7b9    # V7\u002Fii in G: the b13 is in the key, the b9 from the symbol\n3 | Am7     # ii of the ii–V to G\n4 | D7      # V7 of G: natural tensions\n5 | GMaj7   # tonic: the 4th is in the key\n6 | C7      # tritone substitute: resolves down a half step to Bm7\n7 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8 | E7b9    # V7\u002Fii in G: the b13 is in the key, the b9 from the symbol\n\nsection: C\n1 | Am7     # ii: Dorian, the key’s own notes\n2 | Cm6     # a minor sixth chord: Dorian\n2 | F7      # back door bVII7 to GMaj7: the #11 is in the key\n3 | GMaj7   # tonic: the 4th is in the key\n3 | C7      # tritone substitute: resolves down a half step to Bm7\n4 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | Bbdim7  # passing diminished: A7♭9 without its A, the D7's dominant (Am7 its ii)\n5 | Am7     # ii of the ii–V to G\n6 | D7      # V7 of G: natural tensions\n7 | G6      # tonic: the 4th is in the key\n8 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8 | E7b9    # V7\u002Fii in G: the b13 is in the key, the b9 from the symbol\n",1793575887167]