[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:easy-street":3},"title: Easy Street\ncomposer: Alan Jones\nstyle: Medium Swing\nkey: Eb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n# area: Eb major (A1 1–3)\n1  | EbMaj7  # tonic: the 4th is in the key\n1  | C7      # V7\u002Fii in Eb: the b13 is in the key\n2  | Fm7     # ii: Dorian, the key’s own notes\n2  | G7b13   # V7\u002Fvi in Eb: b9 and b13 are in the key\n3  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: Ab minor (A1 3–5)\n3  | Bbm7    # ii of the ii–V to Ab minor\n3  | Eb7     # V7 of Ab minor: b9 and b13 are in the key\n4  | Abm7    # tonic minor: Dorian by convention\n4  | Bb7     # II7 in Ab minor, not resolving: b9 and b13 are in the key\n5  | Gm7     # ii of the ii–V to F minor\n5  | C7      # V7\u002Fvi in Ab minor: b9, #11 and b13 are in the key\n# area: Eb major (A1 6 – A2 3)\n6  | Fm7     # ii of the ii–V to Eb\n6  | Bb7     # V7 of Eb: natural tensions\n7  | EbMaj7  # tonic: the 4th is in the key\n7  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Fm7     # ii of the ii–V to Eb\n8  | Bb7     # V7 of Eb: natural tensions\n9  | EbMaj7  # tonic: the 4th is in the key\n10 | Bbm7    # ii of the ii–V to Ab\n10 | Eb7     # V7\u002FIV in Eb: natural tensions\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n2  | Abm7    # ii of Db7: Dorian\n2  | Db7     # back door bVII7 to EbMaj7: the #11 is in the key\n3  | EbMaj7  # tonic: the 4th is in the key\n4  | Bbm7    # ii of the ii–V to Ab\n4  | Eb7     # V7\u002FIV in Eb: natural tensions\n5  | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n6  | Abm7    # ii of Db7: Dorian\n6  | Db7     # back door bVII7 to EbMaj7: the #11 is in the key\n7  | EbMaj7  # tonic: the 4th is in the key\n7  | F7      # II7 in Eb, not resolving: natural tensions\n8  | Fm7     # ii of the ii–V to Eb\n8  | Bb7#5   # V7 of Eb: #11 and b13 from the symbol\n\nsection: A2\n1  | EbMaj7  # tonic: the 4th is in the key\n1  | C7      # V7\u002Fii in Eb: the b13 is in the key\n2  | Fm7     # ii: Dorian, the key’s own notes\n2  | G7b13   # V7\u002Fvi in Eb: b9 and b13 are in the key\n3  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: Ab minor (A2 3–6)\n3  | Bbm7    # ii of the ii–V to Ab minor\n3  | Eb7     # V7 of Ab minor: b9 and b13 are in the key\n4  | Abm7    # tonic minor: Dorian by convention\n4  | Bb7     # II7 in Ab minor, not resolving: b9 and b13 are in the key\n5  | Gm7     # ii of C7: Dorian\n5  | C7      # tritone substitute: resolves down a half step to B7\n6  | B7      # tritone substitute: resolves down a half step to Bb7#5\n# area: Eb major (A2 6–8)\n6  | Bb7#5   # V7 of Eb: #11 and b13 from the symbol\n7  | EbMaj7  # tonic: the 4th is in the key\n7  | Ab7     # IV7 in Eb, not resolving: the #11 is in the key\n8  | Eb6     # tonic: the 4th is in the key\n8  | Fm7     # ii of the ii–V to Eb\n8  | Bb7     # V7 of Eb: natural tensions\n",1793575887159]