[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:easy-living":3},"title: Easy Living\ncomposer: Ralph Rainger\nstyle: Ballad\nkey: F\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n# area: F major (A1 1–10)\n1  | FMaj7     # tonic: the 4th is in the key\n1  | F#dim7    # vii°7 of Gm7: D7♭9 without its root\n2  | Gm7       # ii: Dorian, the key’s own notes\n2  | G#dim7    # vii°7 to FMaj7\u002FA, up to its bass: E7♭9 without its root\n3  | FMaj7\u002FA   # tonic: the 4th is in the key\n3  | Cm7       # ii of the ii–V to Bb\n3  | F7        # V7\u002FIV in F: natural tensions\n4  | BbMaj7    # the F7 before it makes Bb the key of the moment: the 4th is in the key\n4  | Eb7       # back door bVII7 to FMaj7: the #11 is in the key\n5  | FMaj7     # tonic: the 4th is in the key\n5  | Dm7       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Gm7       # ii of C7: Dorian\n6  | C7        # V7\u002FI in F: natural tensions\n7  | Am7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | D7        # V7\u002Fii in F: the b13 is in the key\n8  | Gm7       # ii of C7: Dorian\n8  | C7        # V7\u002FI in F: natural tensions\n9  | Gm7       # ii of the ii–V to F\n9  | C7        # V7 of F: natural tensions\n10 | FMaj7     # tonic: the 4th is in the key\n10 | Bb7       # V7\u002Fbvii in F: the #11 is in the key\n# area: Db major (A1 11 – B 6)\n11 | Ebm7      # ii of the ii–V to Db\n11 | Ab7       # V7 of Db: natural tensions\n@ending 1 6 8\n@ending 2 9 11\n\nsection: B\n1  | DbMaj7    # tonic: the 4th is in the key\n1  | Bbm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Ebm7      # ii of Ab7: Dorian\n2  | Ab7       # V7\u002FI in Db: natural tensions\n3  | Fm7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | Bb7       # V7\u002Fii in Db: the b13 is in the key\n4  | Ebm7      # ii of the ii–V to Db\n4  | Ab7       # V7 of Db: natural tensions\n5  | DbMaj7    # tonic: the 4th is in the key\n5  | DbMaj7\u002FC  # from the symbol: sus b9\n6  | Bbm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Bbm7\u002FAb   # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: F major (B 7 – A2 8)\n7  | Gm7       # ii of C7: Dorian\n8  | C7        # V7\u002FI in F: natural tensions\n8  | C7#5      # V7 of F: #11 and b13 from the symbol\n\nsection: A2\n1  | FMaj7     # tonic: the 4th is in the key\n1  | F#dim7    # vii°7 of Gm7: D7♭9 without its root\n2  | Gm7       # ii: Dorian, the key’s own notes\n2  | G#dim7    # vii°7 to FMaj7\u002FA, up to its bass: E7♭9 without its root\n3  | FMaj7\u002FA   # tonic: the 4th is in the key\n3  | Cm7       # ii of the ii–V to Bb\n3  | F7        # V7\u002FIV in F: natural tensions\n4  | BbMaj7    # the F7 before it makes Bb the key of the moment: the 4th is in the key\n4  | Eb7       # back door bVII7 to FMaj7: the #11 is in the key\n5  | FMaj7     # tonic: the 4th is in the key\n5  | Dm7       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Gm7       # ii of the ii–V to F\n6  | C7        # V7 of F: natural tensions\n7  | FMaj7     # tonic: the 4th is in the key\n7  | Dm7       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Gm7       # ii of the ii–V to F\n8  | C7        # V7 of F: natural tensions\n",1793575887141]