[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:early-autumn":3},"title: Early Autumn\ncomposer: Ralph Burns, Woody Herman\nstyle: Medium ballad\nkey: C\nform: ABC, 32 bars\nrecording: Woody Herman and His Orchestra; Classics in Jazz; Capitol; 1952\nyoutube: GRlehhQI4ug\n# analysis: 2026-10-19, rules v2; C\n# recording: recorded 1948-12-30, Los Angeles, Woody Herman's Second Herd with the Stan Getz solo, master 3831-2; first issued on 78 (Capitol 57-616, with Keeper of the Flame), 1949; first LP the 10\" Capitol H 324 (1952); the composers' own band, the first recording under this title (the theme first appeared as \"Summer Sequence Part 4\", Columbia, 1947); sources: jazzdisco, Discogs; video: \"Provided to YouTube by Universal Music Group\", Early Autumn (Capitol), the same take (not the 1952 Mars remake)\n\n# bar | chord\n# the pickup bar before A\n\nsection: Intro\nbars: 4\n# area: C major (Intro 1 – A 1)\n1  | G7      # V7 of C: natural tensions\n\nsection: A\nbars: 16\n1  | CMaj7   # tonic: the 4th is in the key\n# area: Bb major (A 2–3)\n2  | B7      # tritone substitute: resolves down a half step to BbMaj7\n3  | BbMaj7  # tonic: the 4th is in the key\n# area: Ab major (A 4–5)\n4  | A7      # tritone substitute: resolves down a half step to AbMaj7\n5  | AbMaj7  # tonic: the 4th is in the key\n# area: C major (A 6–9)\n6  | G7      # V7 of C: natural tensions\n7  | CMaj7   # tonic: the 4th is in the key\n7  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Dm7     # ii of the ii–V to C\n8  | G7      # V7 of C: natural tensions\n9  | CMaj7   # tonic: the 4th is in the key\n# area: Bb major (A 10–11)\n10 | B7      # tritone substitute: resolves down a half step to BbMaj7\n11 | BbMaj7  # tonic: the 4th is in the key\n# area: Ab major (A 12–13)\n12 | A7      # tritone substitute: resolves down a half step to AbMaj7\n13 | AbMaj7  # tonic: the 4th is in the key\n# area: C major (A 14 – B 4)\n14 | G7      # V7 of C: natural tensions\n15 | C6      # tonic: the 4th is in the key\n\nsection: B\n1  | Dm7     # ii of G13: Dorian\n1  | G13     # V7\u002FI in C: natural tensions\n2  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n# alt: bar 2, beat 1 (CMaj7)\n2  | Ebdim7  # passing diminished: D7♭9 without its D, the G13's dominant (Dm7 its ii)\n# alt: bar 2, beat 3 (D13)\n3  | Dm7     # ii of the ii–V to C\n3  | G13     # V7 of C: natural tensions\n4  | CMaj9   # tonic: the 4th is in the key\n# area: Bb major (B 5–6)\n5  | Cm7     # ii of the ii–V to Bb\n5  | F13     # V7 of Bb: natural tensions\n6  | BbMaj7  # tonic: the 4th is in the key\n# area: D major (B 6–7)\n6  | Eb13    # tritone substitute: resolves down a half step to DMaj7\n7  | DMaj7   # tonic: the 4th is in the key\n7  | C#7     # tritone substitute: resolves down a half step to C9\n7  | C9      # tritone substitute: resolves down a half step to B7#9\n7  | B7#9    # tritone substitute: resolves down a half step to Bb7; b9 and #9 from the symbol\n# area: A major (B 8)\n8  | Bb7     # tritone substitute: resolves down a half step to AMaj7\n8  | AMaj7   # tonic: the 4th is in the key\n8  | Ab7b9   # tritone substitute: resolves down a half step to G9; b9 from the symbol\n# area: C major (B 8 – C 1)\n8  | G9      # V7 of C: natural tensions\n\nsection: C\nbars: 8\n1  | CMaj7   # tonic: the 4th is in the key\n# area: Bb major (C 2–3)\n2  | B7      # tritone substitute: resolves down a half step to BbMaj7\n3  | BbMaj7  # tonic: the 4th is in the key\n# area: Ab major (C 4–5)\n4  | A7      # tritone substitute: resolves down a half step to AbMaj7\n5  | AbMaj7  # tonic: the 4th is in the key\n# area: C major (C 6–7)\n6  | G7      # V7 of C: natural tensions\n7  | C6      # tonic: the 4th is in the key\n# alt: bars 7–8 (Am7 | Dm7 G7), from beat 3 of bar 7\n",1793484799320]