[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:duke-ellingtons-sound-of-love":3},"title: Duke Ellington's Sound Of Love\ncomposer: Charles Mingus\nstyle: Ballad\nkey: Db\nform: ABC, 32 bars\n# analysis: 2026-10-31, rules v2; Db\n\nsection: A\n# area: Db major (A 1–13)\n1  | D7#9      # tritone substitute: resolves down a half step to DbMaj9; b9 and #9 from the symbol\n2  | DbMaj9    # tonic: the 4th is in the key\n3  | Ab13b9    # V7 of Db: the b9 from the symbol\n4  | DbMaj9    # tonic: the 4th is in the key\n5  | F7#9#5    # extended dominant: V7 of Bb7b9#5; b9, #9, #11 and b13 from the symbol\n6  | Bb7b9#5   # VI7 in Db, not resolving: the b13 is in the key, b9 and #11 from the symbol\n7  | Ab7b9#5   # V7 of Db: b9, #11 and b13 from the symbol\n8  | DbMaj7    # tonic: the 4th is in the key\n9  | F7#11     # III7 in Db, not resolving: 9, #11 and 13 from the symbol\n10 | Ebm9      # ii of Ab13b9: Dorian\n11 | Ab13b9    # V7\u002FI in Db: the b9 from the symbol\n12 | E         # ♭III, borrowed from Db minor: Lydian (its ♯11 is in the key)\n12 | Eb6       # a non-tonic major chord: Lydian\n12 | DMaj7     # ♭IImaj7, borrowed from Db Phrygian: Lydian (its ♯11 is in the key)\n12 | Ab7#11    # V7 of Db: the #11 from the symbol\n13 | DbMaj9    # tonic: the 4th is in the key\n\nsection: B\n# area: E major (B 1–2)\n1  | F#m7b5    # iiø7 of E: Locrian, the key's own notes (its ♭2 is a passing note)\n1  | B7b9      # V7 of E: the b9 from the symbol\n2  | EMaj7     # tonic: the 4th is in the key\n2  | E6        # tonic: the 4th is in the key\n# area: D major (B 3–4)\n3  | Em7b5     # iiø7 of D: Locrian, the key's own notes (its ♭2 is a passing note)\n3  | A7#11     # V7 of D: the #11 from the symbol\n4  | DMaj7     # tonic: the 4th is in the key\n# area: C major (B 5–7)\n5  | Dm7       # ii of the ii–V to C\n5  | G7        # V7 of C: natural tensions\n6  | CMaj7     # tonic: the 4th is in the key\n6  | G7\u002FB      # V7 of the CMaj7 before it: natural tensions\n6  | Am7\u002FBb    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | A13#11    # VI7 in C, not resolving: #11 and 13 from the symbol\n# area: Ab major (B 7 – C 2)\n7  | Bbm7      # ii of the ii–V to Ab\n7  | Eb13      # V7 of Ab: natural tensions\n8  | AbMaj7    # tonic: the 4th is in the key\n8  | F7b9      # extended dominant: each one falls a fifth into the next: the b9 from the symbol\n\nsection: C\n1  | Bb7b9#11  # V7 of V7: the dominant of the dominant: b9 and #11 from the symbol\n1  | Eb9#11    # V7 of Ab: the #11 from the symbol\n2  | AbMaj7    # tonic: the 4th is in the key\n# area: Db major (C 2–11)\n2  | D9#11     # tritone substitute: resolves down a half step to DbMaj9\n3  | DbMaj9    # tonic: the 4th is in the key\n4  | Gb13#11   # tritone substitute: resolves down a half step to Fm11\n5  | Fm11      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | Bb7#11    # V7\u002Fii in Db: #11 and 13 from the symbol\n7  | Ebm7b5    # iiø7 of Ab13b9: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | Ab13b9    # extended ii–V: a side-step, its own key: the b9 is in the key, the 13 from the symbol\n9  | E         # ♭III, borrowed from Db minor: Lydian (its ♯11 is in the key)\n9  | Eb6       # a non-tonic major chord: Lydian\n9  | DMaj7     # ♭IImaj7, borrowed from Db Phrygian: Lydian (its ♯11 is in the key)\n9  | Ab7b9#11  # V7 of Db: b9 and #11 from the symbol\n10 | DbMaj9    # tonic: the 4th is in the key\n11 | DMaj9#11  # from the symbol: #11\n@nav 11 Fine\n",1793575887003]