[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:dreamsville":3},"title: Dreamsville\ncomposer: Henry Mancini\nstyle: Ballad\nkey: C\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n1  | CMaj7   # tonic: the 4th is in the key\n2  | Gm7\u002FC   # static sus: Mixolydian\n3  | CMaj7   # tonic: the 4th is in the key\n4  | Gm7     # a borrowed minor chord: Dorian, its own key\n4  | F#7     # tritone substitute: resolves down a half step to Cm7\u002FF\n5  | Cm7\u002FF   # IV7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n5  | F7      # IV7 in C, not resolving: the #11 is in the key\n6  | Dm7     # ii: Dorian, the key’s own notes\n6  | Ebm7    # a borrowed minor chord: Dorian, its own key\n7  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | A7      # V7\u002Fii in C: the b13 is in the key\n8  | Dm7     # ii of G7: Dorian\n8  | G7      # V7\u002FI in C: natural tensions\n9  | Dm7     # ii: Dorian, the key’s own notes\n9  | Db7#11  # tritone substitute: resolves down a half step to CMaj7\n10 | CMaj7   # tonic: the 4th is in the key\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n1  | B7b13   # V7\u002Fiii in C: b9 and b13 are in the key\n2  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | A7      # extended ii–V: a side-step, its own key\n3  | F#m7    # a borrowed minor chord: Dorian, its own key\n3  | Bm7     # a borrowed minor chord: Dorian, its own key\n4  | Cm7     # ii of F7: Dorian\n4  | F7      # extended ii–V: a side-step, its own key\n5  | G#m7b5  # iiø7 of C#7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n5  | C#7b9   # V7\u002F#iv in C: b9, #11 and b13 are in the key\n6  | F#m7b5  # iiø7 of B7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | B7b9    # V7\u002Fiii in C: b9 and b13 are in the key\n7  | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n7  | A7b9    # V7\u002Fii in C: the b13 is in the key, the b9 from the symbol\n8  | Dm7     # ii of the ii–V to C\n8  | G7      # V7 of C: natural tensions\n\nsection: A2\n1  | CMaj7   # tonic: the 4th is in the key\n2  | Gm7\u002FC   # static sus: Mixolydian\n3  | CMaj7   # tonic: the 4th is in the key\n4  | Gm7     # a borrowed minor chord: Dorian, its own key\n4  | F#7     # tritone substitute: resolves down a half step to Cm7\u002FF\n5  | Cm7\u002FF   # IV7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n5  | F7      # IV7 in C, not resolving: the #11 is in the key\n6  | Dm7     # ii: Dorian, the key’s own notes\n6  | Ebm7    # a borrowed minor chord: Dorian, its own key\n7  | Dm7     # ii: Dorian, the key’s own notes\n7  | Db7#11  # tritone substitute: resolves down a half step to CMaj7\n8  | CMaj7   # tonic: the 4th is in the key\n",1793575886953]