[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:dream-dancing":3},"title: Dream Dancing\ncomposer: Cole Porter\nstyle: Medium Swing\nkey: C\nform: AABC, 52 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n# area: A major (A1 1–4)\n1  | E7#5    # V7 of A: #11 and b13 from the symbol\n2  | E7#5\n3  | AMaj7   # tonic: the 4th is in the key\n4  | AMaj7\n# area: C major (A1 5–16)\n5  | Dm7     # ii of the ii–V to C\n6  | G7      # V7 of C: natural tensions\n7  | CMaj7   # tonic: the 4th is in the key\n8  | C7      # V7\u002FIV in C: natural tensions\n9  | FMaj7   # the C7 before it makes F the key of the moment: the 4th is in the key\n10 | Bb9     # ♭VII7 from the parallel minor: Lydian Dominant\n11 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | A7      # extended ii–V: a side-step, its own key\n13 | Ebm7    # ii of Ab7: Dorian\n13 | Ab7     # extended ii–V: a side-step, its own key\n14 | Dm7     # ii of the ii–V to C\n14 | G7      # V7 of C: natural tensions\n15 | CMaj7   # tonic: the 4th is in the key\n16 | CMaj7\n\nsection: A2\ncopy: A1\n\nsection: B\n1  | FMaj7   # IV: the #4 is the key’s 7th\n2  | Bb7     # back door bVII7 to CMaj7: the #11 is in the key\n3  | CMaj7   # tonic: the 4th is in the key\n3  | G7      # V7 of C: natural tensions\n4  | C6      # tonic: the 4th is in the key\n5  | D7      # II7 in C, not resolving: natural tensions\n6  | Am7b5   # iiø7 of D7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | D7b9    # extended ii–V: a side-step, its own key: b9 and b13 are in the key\n7  | Dm7     # ii of the ii–V to C\n8  | G7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n\nsection: C\n1  | CMaj7   # tonic: the 4th is in the key\n2  | Gb7#11  # tritone substitute: resolves down a half step to FMaj7\n3  | FMaj7   # the Gb7#11 before it makes F the key of the moment: the 4th is in the key\n4  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | A7      # extended ii–V: a side-step, its own key\n5  | Ebm7    # ii of Ab7: Dorian\n5  | Ab7     # extended ii–V: a side-step, its own key\n6  | Dm7     # ii of G7: Dorian\n6  | G7      # V7\u002FI in C: natural tensions\n7  | Ebm7    # ii of Ab7: Dorian\n7  | Ab7     # extended ii–V: a side-step, its own key\n8  | Dm7     # ii of G7: Dorian\n8  | G7      # V7\u002FI in C: natural tensions\n9  | Ebm7    # ii of Ab7: Dorian\n9  | Ab7     # extended ii–V: a side-step, its own key\n10 | Dm7     # ii of the ii–V to C\n10 | G9sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n11 | C6      # tonic: the 4th is in the key\n12 | C6\n",1793575886940]