[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:down-for-double":3},"title: Down For Double\ncomposer: Freddie Green\nstyle: Medium Up Swing\nkey: Bb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Bb\n\nsection: A1\n1  | Bb6     # tonic: the 4th is in the key\n1  | G7      # extended dominant: each one falls a fifth into the next: natural tensions\n2  | C7      # V7 of V7: the dominant of the dominant: natural tensions\n2  | F7      # V7 of Bb: natural tensions\n3  | Bb6     # tonic: the 4th is in the key\n3  | G7      # extended dominant: each one falls a fifth into the next: natural tensions\n4  | C7      # V7 of V7: the dominant of the dominant: natural tensions\n4  | F7      # V7 of Bb: natural tensions\n5  | Bb6     # tonic: the 4th is in the key\n5  | G7      # extended dominant: each one falls a fifth into the next: natural tensions\n6  | C7      # V7 of V7: the dominant of the dominant: natural tensions\n6  | F7      # V7 of Bb: natural tensions\n7  | Bb6     # tonic: the 4th is in the key\n7  | Gm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Cm7     # ii of the ii–V to Bb\n8  | F7      # V7 of Bb: natural tensions\n9  | Bb6     # tonic: the 4th is in the key\n9  | Cm7     # ii: Dorian, the key’s own notes\n10 | Dbdim7  # passing diminished: a rootless dominant ♭9\n10 | Bb6     # tonic: the 4th is in the key\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Bb7     # V7\u002FIV in Bb: natural tensions\n2  | Bb7\n3  | Eb6     # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n4  | Eb6\n5  | C7      # V7 of V7: the dominant of the dominant: natural tensions\n6  | C7\n7  | F7      # V7 of Bb: natural tensions\n8  | F7\n\nsection: A2\n1  | Bb6     # tonic: the 4th is in the key\n1  | G7      # extended dominant: each one falls a fifth into the next: natural tensions\n2  | C7      # V7 of V7: the dominant of the dominant: natural tensions\n2  | F7      # V7 of Bb: natural tensions\n3  | Bb6     # tonic: the 4th is in the key\n3  | G7      # extended dominant: each one falls a fifth into the next: natural tensions\n4  | C7      # V7 of V7: the dominant of the dominant: natural tensions\n4  | F7      # V7 of Bb: natural tensions\n5  | Bb6     # tonic: the 4th is in the key\n5  | G7      # extended dominant: each one falls a fifth into the next: natural tensions\n6  | C7      # V7 of V7: the dominant of the dominant: natural tensions\n6  | F7      # V7 of Bb: natural tensions\n7  | Bb6     # tonic: the 4th is in the key\nalt 7  | Bb6     # tonic: the 4th is in the key\nalt 7  | Cm7     # ii: Dorian, the key’s own notes\n8  | Bb6\nalt 8  | Dbdim7  # passing diminished: a rootless dominant ♭9\nalt 8  | Bb6     # tonic: the 4th is in the key\nalt 8  | Cm7     # ii: Dorian, the key’s own notes\nalt 8  | Bb6     # tonic: the 4th is in the key\n",1793575886877]