[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:doors":3},"title: Doors\ncomposer: Mike Nock\nstyle: Even 8ths\nkey: C\nform: ABC, 28 bars\nrecording: Mike Nock; Ondas; ECM; 1982\nyoutube: 7Y_HxV84-HU\n# analysis: 2026-10-19, rules v2; C\n# recording: recorded November 1981, Mike Nock with Eddie Gómez and Jon Christensen, ECM 1220; the composer's own first recording (Wikipedia); video: \"Provided to YouTube by Universal Music Group\", Ondas, the same take\n\n# bar | chord\n# book: \"Med. Straight 8ths (quasi 16th-note March)\"\n\nsection: A\n1  | Bb(#11)\u002FD    # ♭VII, borrowed from C minor: Lydian (its ♯11 is in the key)\n1  | CMaj7\u002FD      # tonic: the 4th is in the key\n2  | Bb(#11)\u002FD    # ♭VII, borrowed from C minor: Lydian (its ♯11 is in the key)\n3  | Bb(#11)\u002FD\n3  | CMaj7\u002FD      # tonic: the 4th is in the key\n4  | Bb(#11)\u002FD    # ♭VII, borrowed from C minor: Lydian (its ♯11 is in the key)\n\nsection: B\nbars: 12\n# alt: \"Letter A may be played as Bb(#11)\u002FD throughout for solos\"\n# B bars 1–4 and C bars 1–4: the book's bracketed solo changes (one chord a bar); the head's staff chords move earlier:\n# head: bar 1 DbMaj7\u002FF, EbMaj7\u002FF (beat 2), held; bar 3 DbMaj7\u002FF, EbMaj7\u002FF (beat 3), held\n1  | DbMaj7\u002FF     # ♭IImaj7, borrowed from C Phrygian: Lydian (its ♯11 is in the key)\n2  | EbMaj7\u002FF     # ♭IIImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n3  | DbMaj7\u002FF     # ♭IImaj7, borrowed from C Phrygian: Lydian (its ♯11 is in the key)\n4  | EbMaj7\u002FF     # ♭IIImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n5  | EMaj9\u002FG#     # a non-tonic major chord: Lydian\n5  | E(add9)\u002FG#   # a non-tonic major chord: Lydian\n# bars 7–8: piano fill (slashes, no new chord)\n9  | GMaj7\u002FB      # a non-tonic major chord: Lydian\n9  | AMaj7\u002FB      # a non-tonic major chord: Lydian\n11 | GMaj7\u002FB      # a non-tonic major chord: Lydian\n11 | AMaj7\u002FB      # a non-tonic major chord: Lydian\n\nsection: C\n# head: bar 1 BbMaj7\u002FD, CMaj7\u002FD (beat 3), held; bar 3 the same\n1  | BbMaj7\u002FD     # ♭VIImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n2  | CMaj7\u002FD      # tonic: the 4th is in the key\n3  | BbMaj7\u002FD     # ♭VIImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n4  | CMaj7\u002FD      # tonic: the 4th is in the key\n5  | DbMaj9\u002FF     # ♭IImaj7, borrowed from C Phrygian: Lydian (its ♯11 is in the key)\n5  | DbMaj7#11\u002FF  # from the symbol: #11\n# bars 7–8: piano fill (slashes, no new chord)\n# the coda sign stands at the end of bar 8 (DbMaj7#11\u002FF held from bar 5)\n8  | DbMaj7#11\u002FF\n@coda 8\n9  | C\u002FAb         # tonic: the 4th is in the key\n9  | B\u002FC#         # a non-tonic major chord: Lydian\n9  | Bb\u002FGb        # ♭VII, borrowed from C minor: Lydian (its ♯11 is in the key)\n10 | A\u002FB          # a non-tonic major chord: Lydian\n10 | Ab\u002FE         # ♭VI, borrowed from C minor: Lydian (its ♯11 is in the key)\n11 | GMaj7\u002FA      # a non-tonic major chord: Lydian\n# D.C. al Coda at the end of bar 12 (GMaj7\u002FA held from bar 11)\n12 | GMaj7\u002FA\n@nav 12 D.C. al Coda\n\nsection: Coda\ntime: 6\u002F4\nbars: 4\n# play the head (ABC) twice, then solo on the form; after solos, D.C. al Coda\n# Coda bar 1 vamped till cue (melody the first four times and the last); bars 2–3, rall.\n1  | C\u002FAb         # tonic: the 4th is in the key\n1  | B\u002FC#         # a non-tonic major chord: Lydian\n1  | Bb\u002FGb        # ♭VII, borrowed from C minor: Lydian (its ♯11 is in the key)\n1  | A\u002FB          # a non-tonic major chord: Lydian\n2  | Ab\u002FE         # ♭VI, borrowed from C minor: Lydian (its ♯11 is in the key)\n2  | GMaj7\u002FA      # a non-tonic major chord: Lydian\n3  | F#\u002FD         # a non-tonic major chord: Lydian\n@time 2 4\u002F4\n",1793484799264]