[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:dont-worry-bout-me":3},"title: Don't Worry 'Bout Me\ncomposer: Rube Bloom\nstyle: Ballad\nkey: Ab\nform: AB, 32 bars\n# analysis: 2026-10-31, rules v2; Ab\n\nsection: A\n1  | Bbm7    # ii of the ii–V to Ab\n2  | Eb7     # V7 of Ab: natural tensions\n3  | AbMaj7  # tonic: the 4th is in the key\n4  | AbMaj7\n5  | Bbm7    # ii of the ii–V to Ab\n6  | Eb7     # V7 of Ab: natural tensions\n7  | Ab6     # tonic: the 4th is in the key\n8  | Cm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | Bdim7   # passing diminished: a rootless dominant ♭9\n9  | Bbm7    # ii: Dorian, the key’s own notes\n10 | Dbm6    # a minor sixth chord: Dorian\n11 | Gb9     # extended ii–V: a side-step, its own key\n12 | Gb9\n12 | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n12 | C7      # V7\u002Fvi in Ab: b9 and b13 are in the key\n13 | Fm7     # ii of Bb7: Dorian\n14 | Bb7     # V7\u002FV in Ab: natural tensions\n15 | Bbm7    # ii of Eb7: Dorian\n16 | Eb7     # V7\u002FI in Ab: natural tensions\n\nsection: B\n1  | Bbm7    # ii of the ii–V to Ab\n2  | Eb7     # V7 of Ab: natural tensions\n3  | AbMaj7  # tonic: the 4th is in the key\n4  | AbMaj7\n5  | AbMaj7\n6  | Ebm7    # ii of the ii–V to Db\n6  | Ab7     # V7\u002FIV in Ab: natural tensions\n7  | DbMaj7  # the Ab7 before it makes Db the key of the moment: the 4th is in the key\n8  | DbMaj7\n9  | DbMaj7\n10 | Gb9     # ♭VII7 from the parallel minor: Lydian Dominant\n11 | Cm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | F7      # V7\u002Fii in Ab: the b13 is in the key\n13 | Bbm7    # ii of the ii–V to Ab\n14 | Eb7     # V7 of Ab: natural tensions\n15 | Ab6     # tonic: the 4th is in the key\n16 | Cm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n16 | F7b9    # V7\u002Fii in Ab: the b13 is in the key, the b9 from the symbol\n",1793575886820]