[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:dont-misunderstand":3},"title: Don't Misunderstand\ncomposer: Gordon Parks\nstyle: Medium Swing\nkey: F\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n# area: F major (A1 1–2)\n1  | FMaj7   # tonic: the 4th is in the key\n2  | E7sus   # VII7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n# area: Eb major (A1 2–6)\n2  | E7alt   # from the symbol: altered\n3  | EbMaj7  # tonic: the 4th is in the key\n4  | D7sus   # VII7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n4  | D7b9    # extended dominant: V7 of G7; b9 from the symbol\n5  | G7      # extended dominant: V7 of C7\n6  | C7      # VI7 in Eb, not resolving: the b13 is in the key\n# area: F major (A1 7 – A2 2)\n7  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | D7      # extended dominant: each one falls a fifth into the next: natural tensions\n8  | G7      # V7 of V7: the dominant of the dominant: natural tensions\n8  | C7      # V7 of F: natural tensions\n9  | F6      # tonic: the 4th is in the key\n9  | Bb7     # IV7 in F, not resolving: the #11 is in the key\n10 | F6      # tonic: the 4th is in the key\n10 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | D7      # V7\u002Fii in F: the b13 is in the key\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Gm      # ii: Dorian, the key’s own notes\n2  | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | A7b9    # V7\u002Fvi in F: b9 and b13 are in the key\n3  | Dm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Dm\n5  | Bm7b5   # #ivø7 in F: Locrian, its own mode (the chord is outside the key)\n5  | Bb7     # tritone substitute: resolves down a half step to Am7\n6  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | Abdim7  # passing diminished: G7♭9 without its G, the C7b9's dominant (Gm7 its ii)\n7  | Gm7     # ii of the ii–V to F\n8  | C7b9    # V7 of F: the b9 from the symbol\n\nsection: A2\n1  | FMaj7   # tonic: the 4th is in the key\n2  | E7sus   # VII7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n# area: Eb major (A2 2–4)\n2  | E7alt   # from the symbol: altered\n3  | EbMaj7  # tonic: the 4th is in the key\n4  | D7sus   # VII7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n# area: F major (A2 4–8)\n4  | D7b9    # extended dominant: each one falls a fifth into the next: the b9 from the symbol\n5  | G7      # V7 of V7: the dominant of the dominant: natural tensions\n6  | C7      # V7 of F: natural tensions\n7  | F6      # tonic: the 4th is in the key\n8  | Gm7     # ii of the ii–V to F\n8  | C7      # V7 of F: natural tensions\n",1793575886800]