[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:dont-know-why":3},"title: Don't Know Why\ncomposer: Jesse Harris\nstyle: Ballad\nkey: Bb\nform: AABABA, 52 bars\n# analysis: 2026-10-31, rules v2; Bb\n\nsection: Intro\n1  | BbMaj7  # tonic: the 4th is in the key\n1  | Bb7     # V7\u002FIV in Bb: natural tensions\n2  | EbMaj9  # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n2  | D9      # V7\u002Fvi in Bb: the b13 is in the key, the 9 from the symbol\n3  | Gm7     # ii of C7: Dorian\n3  | C7      # extended dominant: V7 of F7sus\n4  | F7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n4  | Bb      # tonic: the 4th is in the key\n\nsection: A1\n1  | BbMaj7  # tonic: the 4th is in the key\n1  | Bb7     # V7\u002FIV in Bb: natural tensions\n2  | EbMaj9  # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n2  | D9      # V7\u002Fvi in Bb: the b13 is in the key, the 9 from the symbol\n3  | Gm7     # ii of C7: Dorian\n3  | C7      # extended dominant: V7 of F7sus\n4  | F7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n4  | Bb      # tonic: the 4th is in the key\n5  | BbMaj7  # tonic: the 4th is in the key\n5  | Bb7     # V7\u002FIV in Bb: natural tensions\n6  | EbMaj9  # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n6  | D9      # V7\u002Fvi in Bb: the b13 is in the key, the 9 from the symbol\n7  | Gm7     # ii of C7: Dorian\n7  | C7      # extended dominant: V7 of F7sus\n8  | F7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n8  | Bb      # tonic: the 4th is in the key\n\nsection: A2\n1  | BbMaj7  # tonic: the 4th is in the key\n1  | Bb7     # V7\u002FIV in Bb: natural tensions\n2  | EbMaj9  # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n2  | D9      # V7\u002Fvi in Bb: the b13 is in the key, the 9 from the symbol\n3  | Gm7     # ii of C7: Dorian\n3  | C7      # extended dominant: V7 of F7sus\n4  | F7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n4  | Bb      # tonic: the 4th is in the key\n5  | BbMaj7  # tonic: the 4th is in the key\n5  | Bb7     # V7\u002FIV in Bb: natural tensions\n6  | EbMaj9  # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n6  | D9      # V7\u002Fvi in Bb: the b13 is in the key, the 9 from the symbol\n7  | Gm7     # ii of C7: Dorian\n7  | C7      # extended dominant: V7 of F7sus\n8  | F7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n8  | Bb      # tonic: the 4th is in the key\n\nsection: B1\n1  | Gm7     # ii of C7: Dorian\n2  | C7      # V7 of V7: the dominant of the dominant: natural tensions\n3  | F7      # V7 in Bb, not resolving: natural tensions\n4  | F7\n5  | Gm7     # ii of C7: Dorian\n6  | C7      # V7 of V7: the dominant of the dominant: natural tensions\n7  | F7      # V7 in Bb, not resolving: natural tensions\n7  | F7\u002FEb   # V7 of Bb: natural tensions\n8  | Bb\u002FD    # tonic: the 4th is in the key\n8  | F7\u002FC    # V7 of Bb: natural tensions\n\nsection: A3\ncopy: A2\n\nsection: B2\ncopy: B1\n\nsection: A4\n1  | BbMaj7  # tonic: the 4th is in the key\n1  | Bb7     # V7\u002FIV in Bb: natural tensions\n2  | EbMaj9  # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n2  | D9      # V7\u002Fvi in Bb: the b13 is in the key, the 9 from the symbol\n3  | Gm7     # ii of C7: Dorian\n3  | C7      # extended dominant: V7 of F7sus\n4  | F7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n4  | Bb      # tonic: the 4th is in the key\n5  | BbMaj7  # tonic: the 4th is in the key\n5  | Bb7     # V7\u002FIV in Bb: natural tensions\n6  | EbMaj9  # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n6  | D9      # V7\u002Fvi in Bb: the b13 is in the key, the 9 from the symbol\n7  | Gm7     # ii of C7: Dorian\n7  | C7      # extended dominant: V7 of F7sus\n8  | F7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n8  | Bb      # tonic: the 4th is in the key\n9  | Gm7     # ii of C7: Dorian\n9  | C7      # extended dominant: V7 of F7sus\n10 | F7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n10 | Bb      # tonic: the 4th is in the key\n10 | Bb7\u002FF   # I7 in Bb, not resolving: natural tensions\n11 | Gm7     # ii of C7: Dorian\n11 | C7      # extended dominant: V7 of F7sus\n12 | F7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n12 | Bb      # tonic: the 4th is in the key\n",1793575886787]