[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:dont-go-to-strangers":3},"title: Don't Go to Strangers\ncomposer: Arthur Kent, Dave Mason\nstyle: Medium ballad\nkey: Bb\nform: AABC, 32 bars\nrecording: Etta Jones; Don't Go to Strangers; Prestige; 1960\nyoutube: SgNXTPEsbac\n# analysis: 2026-10-19, rules v2; Bb\n# recording: recorded 1960-06-21, Van Gelder Studio, Englewood Cliffs, Etta Jones with Frank Wess, Richard Wyands, Skeeter Best, George Duvivier, Roy Haynes, Prestige PRLP 7186; her hit single of it is the reference reading of the song (Wikipedia, Discogs); video: \"Provided to YouTube by Universal Music Group\", Don't Go To Strangers, the same take\n\n# bar | chord\n\nsection: A1\n1 | BbMaj7  # tonic: the 4th is in the key\n# alt: bar 1, beat 3 (Bb9)\n2 | Eb9     # IV7 in Bb, not resolving: the #11 is in the key\n3 | BbMaj7  # tonic: the 4th is in the key\n4 | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | G7      # V7\u002Fii in Bb: the b13 is in the key\n5 | Cm7     # ii of F13sus: Dorian\n# alt: bar 5, beat 3 (Ebm6)\n6 | F13sus  # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n6 | F7      # V7 in Bb, not resolving: natural tensions\n7 | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7 | G7      # V7\u002Fii in Bb: the b13 is in the key\n8 | Cm7     # ii of the ii–V to Bb\n8 | F7      # V7 of Bb: natural tensions\n\nsection: A2\n1 | BbMaj7  # tonic: the 4th is in the key\n# alt: bar 1, beat 3 (Bb9)\n2 | Eb9     # IV7 in Bb, not resolving: the #11 is in the key\n3 | BbMaj7  # tonic: the 4th is in the key\n4 | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | G7      # V7\u002Fii in Bb: the b13 is in the key\n5 | Cm7     # ii of F13sus: Dorian\n# alt: bar 5, beat 3 (Ebm6)\n6 | F13sus  # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n6 | F7      # V7 of Bb: natural tensions\n7 | Bb6     # tonic: the 4th is in the key\n7 | F9sus4  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n8 | Bb6     # tonic: the 4th is in the key\n\nsection: B\n1 | Fm7     # ii of Bb13: Dorian\n1 | Bb13    # V7\u002FIV in Bb: natural tensions\n2 | Fm7     # ii of the ii–V to Eb\n2 | Bb13    # V7\u002FIV in Bb: natural tensions\n3 | EbMaj7  # the Bb13 before it makes Eb the key of the moment: the 4th is in the key\n3 | Bb7     # V7\u002FIV in Bb: natural tensions\n4 | EbMaj7  # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n5 | Gm7     # ii of C13: Dorian\n5 | C13     # V7\u002FV in Bb: natural tensions\n6 | Gm7     # ii of C13: Dorian\n6 | C13     # V7\u002FV in Bb: natural tensions\n7 | C9sus4  # II7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n# alt: bar 7 (F9sus F9)\n7 | C9      # extended dominant: V7 of F9sus4\n8 | F9sus4  # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n8 | F13     # V7 of Bb: natural tensions\n\nsection: C\n1 | BbMaj7  # tonic: the 4th is in the key\n# alt: bar 1, beat 3 (Bb9)\n2 | Eb9     # IV7 in Bb, not resolving: the #11 is in the key\n3 | BbMaj7  # tonic: the 4th is in the key\n4 | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | G7      # V7\u002Fii in Bb: the b13 is in the key\n5 | Cm7     # ii of F13sus: Dorian\n# alt: bar 5, beat 3 (Ebm6)\n6 | F13sus  # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n6 | F9      # V7 of Bb: natural tensions\n7 | Bb6     # tonic: the 4th is in the key\n7 | F9sus4  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n8 | Bb6     # tonic: the 4th is in the key\n# alt: bar 8, beat 3 (F7)\n",1793484799230]