[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:dont-get-around-much-anymore":3},"title: Don't Get Around Much Anymore\ncomposer: Duke Ellington\nstyle: Medium\nkey: C\nform: AABA\nrecording: Duke Ellington; The Indispensable Duke Ellington; RCA Victor; 1961\nyoutube: mjtlyqwQ4OY\n# analysis: 2026-10-19, rules v2; C\n# recording: recorded 1940-05-04 as Never No Lament (the same tune; the lyric came in 1942), first issued on 78 (Victor 26610), first US LP 1961 (LPM-6009; French HMV's Duke Ellington Masterpieces, 1952, came earlier) (Discogs, Wikipedia); video: Passion Flower 1940-46, the same take\n\n# bar | chord | scale\n# the standard changes; the sheet's alternate turnarounds are left out\n\nsection: A1\n1 | CMaj7   # tonic: the 4th is in the key\n3 | CMaj7\n3 | Bb7     # tritone substitute: resolves down a half step to A7\n4 | A7      # V7\u002Fii in C: the b13 is in the key\n5 | Dm7     # ii of the ii–V to C\n6 | G7      # V7 of C: natural tensions\n7 | CMaj7   # tonic: the 4th is in the key\n8 | G7      # V7 of C: natural tensions\n\nsection: A2\n1 | CMaj7   # tonic: the 4th is in the key\n3 | CMaj7\n3 | Bb7     # tritone substitute: resolves down a half step to A7\n4 | A7      # V7\u002Fii in C: the b13 is in the key\n5 | Dm7     # ii of the ii–V to C\n6 | G7      # V7 of C: natural tensions\n7 | CMaj7   # tonic: the 4th is in the key\n8 | C7      # V7\u002FIV in C: natural tensions\n\nsection: B\n1 | FMaj7   # the C7 before it makes F the key of the moment: the 4th is in the key\n2 | Bb7     # back door bVII7 to CMaj7: the #11 is in the key\n3 | CMaj7   # tonic: the 4th is in the key\n4 | C7      # V7\u002FIV in C: natural tensions\n5 | FMaj7   # the C7 before it makes F the key of the moment: the 4th is in the key\n6 | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | B7      # V7\u002Fiii in C: b9 and b13 are in the key\n7 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7 | Ebdim7  # passing diminished: D7♭9 without its D, the G7's dominant (Dm7 its ii)\n8 | Dm7     # ii of the ii–V to C\n8 | G7      # V7 of C: natural tensions\n\nsection: A3\nbars: 8\n1 | CMaj7   # tonic: the 4th is in the key\n3 | CMaj7\n3 | Bb7     # tritone substitute: resolves down a half step to A7\n4 | A7      # V7\u002Fii in C: the b13 is in the key\n5 | Dm7     # ii of the ii–V to C\n6 | G7      # V7 of C: natural tensions\n7 | CMaj7   # tonic: the 4th is in the key\n",1793484799224]